The Cliffs at Beg-ar-Fry, Saint-Jean-du-Doigt

Description

Maxime Maufra was initially an amateur artist, but in 1883 he gave up a career in business to devote himself entirely to painting. He traveled throughout Normandy and Britany painting sea- and landscapes. During a visit to Pont-Aven in northwestern France in 1890 he met Paul Gauguin and a group of young artists who were inspired by Gauguin’s approaches to color and composition in his art. In particular, Maufra began to translate forms into flat planes of bold color arranged in decorative patterns as seen in this seascape of the Breton coast. Perhaps the most striking aspect of this painting is the way the artist framed the composition at the left with the view of a steep cliff.

Provenance

Deposited by Maufra on 25 February 1895 at Durand-Ruel, Paris (depot 8630).; Bought from the artist by Durand-Ruel, Paris (stock number 3451) on 23 November 1895.; Sold to Durand-Ruel, New York (stock number 1455), 14 December 1895.; Bought by Jeptha Homer Wade, Cleveland, 1 November 1900 . By descent. Given to the CMA in 1966.

The Cliffs at Beg-ar-Fry, Saint-Jean-du-Doigt

Maxime Maufra

1895

Accession Number

1966.382

Medium

oil on fabric

Dimensions

Framed: 66.5 x 80 x 4.5 cm (26 3/16 x 31 1/2 x 1 3/4 in.); Unframed: 60 x 73.3 cm (23 5/8 x 28 7/8 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Ellen Wade Chinn, Elizabeth Wade Sedgwick and J. H. Wade III in memory of their mother Irene Love Wade

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting French

Background & Context

Background Story

Maxime Maufra (1861-1918) was a French painter known for the bold, colorful landscapes of the Brittany coast that combine the Impressionist manner with the more decorative style of the Pont-Aven school. The Cliffs at Beg-ar-Fry, Saint-Jean-du-Doigt from 1895 depicts the dramatic cliffs of the Brittany coast in the bold, colorful manner that distinguishes Maufra's best Breton landscapes from both the Impressionist landscape and the Synthetist manner of the Pont-Aven school. The 1895 date places this in Maufra's most productive period, when he was painting the Brittany coast in the bold, colorful manner that is his most distinctive contribution to French landscape painting.

Cultural Impact

The Cliffs at Beg-ar-Fry is important in the history of French landscape painting because it demonstrates the bold, colorful manner that Maufra brought to the Brittany coast as an alternative to both Impressionist landscape and Pont-Aven Synthetism. Maufra's Breton landscapes—combining Impressionist color with a bolder, more decorative composition—represent an important alternative in French landscape painting, and the dramatic cliffs of the Beg-ar-Fry coast show this alternative at its most accomplished.

Why It Matters

The Cliffs at Beg-ar-Fry is Maufra's bold Breton landscape: the dramatic cliffs of the Brittany coast rendered in the colorful manner that combines Impressionist observation with a more decorative composition. The 1895 painting shows an alternative to both Impressionism and Pont-Aven Synthetism in the landscape painting of the Brittany coast.