Description
Zhao Zhong's flowers, each paired with a poem, echo the fine-style colored flowers of the academic tradition, but instead he used only ink. Fine lines define the contours of each plant, as well as the veins within each petal and leaf. Careful ink washes give subtle modeling to the forms.
The combination of lily, narcissus, and peony is unusual as the three belong to no known seasonal or symbolic system popular in the fourteenth century. Zhao’s medical training may have influenced the selection. Powdered lilies, for example, were prescribed to dispel grief, while the bark of tree peony roots was used as a treatment for various blood disorders.
The combination of lily, narcissus, and peony is unusual as the three belong to no known seasonal or symbolic system popular in the fourteenth century. Zhao’s medical training may have influenced the selection. Powdered lilies, for example, were prescribed to dispel grief, while the bark of tree peony roots was used as a treatment for various blood disorders.
Provenance
Li Guochao 李國超 [20th century]; Cheng Qi 程琦 [1911–1988], to his son, Stephen O. K. Chen; (Stephen O. K. Chen [20th century], New York, NY, sold to the Cleveland Museum of Art) (?–1967); The Cleveland Museum of Art, Cleveland, OH (1967–)
Accession Number
1967.36
Medium
Handscroll; ink on paper
Dimensions
Overall: 31.8 x 153.2 cm (12 1/2 x 60 5/16 in.)
Classification
Painting
Credit Line
John L. Severance Fund