Description
Shakyamuni emerged from the mountains after years of ascetic practices, which anticipated his sermon in Deer Park and attainment of enlightenment under the bodhi tree. However, this figure of Shakyamuni can be interpreted as having already achieved enlightenment and reentered the earthly world to spread the dharma (Buddhist law). Chijue Daoching’s inscription mentions his indifferent glance at the morning star, suggesting nonattachment:
Entering the mountains he was much too thin and withered.
The snow is overlaid with frost—it is cold.
Casting an indifferent glance, he saw a [morning] star.
Why should he once again emerge among the world of men.
Entering the mountains he was much too thin and withered.
The snow is overlaid with frost—it is cold.
Casting an indifferent glance, he saw a [morning] star.
Why should he once again emerge among the world of men.
Provenance
Hisamatsu family 久松家, Shikoku
Island, Japan; Yamashita family 山下家, Japan; Hara family 原家, Yokohama, Japan; (Mayuyama & Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art) (?–1970); The Cleveland Museum of Art, Cleveland, OH (1970–)
Accession Number
1970.2
Medium
hanging scroll, ink on paper
Dimensions
Painting: 70.7 x 30.3 cm (27 13/16 x 11 15/16 in.); Overall with knobs: 166.4 x 49.9 cm (65 1/2 x 19 5/8 in.)
Classification
Painting
Credit Line
John L. Severance Fund