Fishing Boats on the Beach at Étretat

Provenance

M. Ferré (after 1865-1868); (Heim Gallery, London, sold to Barbara Greenough Bradley) (?-?); Barbara Greenough Bradley, Boston, MA, given to the Cleveland Museum of Art, Cleveland, OH (?-1970); Cleveland Museum of Art, Cleveland, OH (1970-)

Fishing Boats on the Beach at Étretat

Léon Augustin Lhermitte

August 1865

Accession Number

1970.332

Medium

charcoal (stumped)

Dimensions

Sheet: 28.4 x 49.1 cm (11 3/16 x 19 5/16 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Barbara Greenough Bradley in memory of her mother, Emery Holden Greenough

Tags

Drawing Impressionist & Modern (1851–1900) Charcoal French Color: White

Background & Context

Background Story

Léon Augustin Lhermitte (1844-1925) was a French painter and draftsman known for his realistic depictions of rural life, and this early charcoal drawing of fishing boats on the beach at Étretat demonstrates his mastery of the charcoal medium even at the age of 21. The 'stumped' technique (using a rolled paper stump to blend the charcoal) creates the soft tonal gradations that distinguish Lhermitte's charcoal work, allowing him to model the forms of the boats and the beach with the subtlety of an oil painting while retaining the directness and immediacy of a drawing. Étretat, with its famous chalk cliffs and fishing beach, was one of the most painted sites on the Normandy coast.

Cultural Impact

Lhermitte's charcoal drawings are among the most accomplished in 19th-century French art, and this early work shows that his mastery of the medium was already established by his early twenties. The choice of Étretat as a subject connects him to the tradition of Normandy coast painting that includes Monet, Courbet, and Delacroix—but Lhermitte's approach is more documentary than theirs, emphasizing the working life of the fishing beach rather than the dramatic cliffs.

Why It Matters

Fishing Boats on the Beach at Étretat is the 21-year-old Lhermitte already a master of charcoal: the stumped technique creating soft tonal gradations that model the boats and the beach with oil-painting subtlety. The drawing proves that his commitment to rural and working-class subjects was established from the very beginning of his career.