Description
This oil sketch showing St. Peter's Basilica in the distance was painted during the artist's stay in Rome, 1777–85. Its spontaneity and freshness is typical of the artist's outdoor paintings, in which he sought to capture the light and atmosphere of Rome.
Provenance
Walter Pach;; Raymond Pach (Canton, North Carolina), sold to the Cleveland Museum of Art, 1970.
Accession Number
1970.55
Medium
oil on paper, mounted on board
Dimensions
Framed: 30 x 49 x 4.5 cm (11 13/16 x 19 5/16 x 1 3/4 in.); Unframed: 19.5 x 39 cm (7 11/16 x 15 3/8 in.)
Classification
Painting
Credit Line
Purchase from the J. H. Wade Fund
Tags
Painting Neoclassical & Romantic (1751–1850) Oil Painting Board French
Background & Context
Background Story
Pierre Henri de Valenciennes (1750-1819) was a French painter known for the precisely observed landscape views of Italy that make him one of the most important painters of the neoclassical landscape tradition and an important influence on the development of plein air painting. View of Rome from c. 1782-1784 depicts a view of Rome in the precisely observed, neoclassical manner that distinguishes Valenciennes's best work from the more idealized landscape painting of his predecessors. Valenciennes was one of the first painters to advocate the practice of painting landscape outdoors directly from nature (en plein air), and the c. 1782-1784 date places this in his Italian period, when he was developing the precisely observed landscape manner that would influence the development of plein air painting.
Cultural Impact
View of Rome is important in the history of French landscape painting because it demonstrates the precisely observed, neoclassical manner that Valenciennes brought to landscape as one of the first advocates of plein air painting. Valenciennes's precisely observed landscape views—combining the neoclassical tradition of ideal landscape with the direct observation of nature that would lead to plein air painting—represent one of the most important developments in the history of French landscape painting, and the c. 1782-1784 painting shows this development at its earliest phase.
Why It Matters
View of Rome is Valenciennes's precisely observed neoclassical landscape: a view of Rome rendered in the manner of one of the first advocates of plein air painting. The c. 1782-1784 painting shows the combination of neoclassical ideal landscape with direct observation of nature that would lead to the development of plein air painting—one of the most important developments in the history of French landscape painting.