Birds Gather under the Spring Willow

Description

This scroll depicts a spring scene with all kinds of birds, including one peacock with a hen among peonies. The painting is one of four surviving works by Yin Hong bearing his signature and seals. Some scholars debate whether this work depicts the theme “One Hundred Birds admiring the Phoenix,” a metaphor for human society presenting an idealized hierarchy under imperial rule; other scholars argue that peafowls, as exotic birds not native to China, would not be depicted to represent the emperor.

This large painting might have been hung in a palace hall and may have been part of a set depicting the four seasons.

Provenance

Marquis Yoshitaka Satake 侯爵 佐竹義理 [1858–1914] (?-November 1917); (Fugendo Co., Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art) (?-1974); The Cleveland Museum of Art, Cleveland, OH (1974-)

Birds Gather under the Spring Willow

Yin Hong

late 1400s-early 1500

Accession Number

1974.31

Medium

hanging scroll, ink and color on silk

Dimensions

Painting: 240 x 195.5 cm (94 1/2 x 76 15/16 in.); Overall with knobs: 280 x 204 cm (110 1/4 x 80 5/16 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Purchase from the J. H. Wade Fund

Tags

Painting Renaissance (1400–1599) Ink Silk Painting Chinese

Background & Context

Background Story

Yin Hong (active late 1400s-early 1500s) was a Chinese court painter known for the precisely observed bird-and-flower paintings that make him one of the most important painters of the Ming dynasty court painting tradition. Birds Gather under the Spring Willow from the late 1400s-early 1500s depicts birds gathering under a spring willow in the precisely observed, elegant manner of the Ming court painting tradition that distinguishes Yin Hong's best work from the more informal painting of the literati tradition. The late 1400s-early 1500s date places this in the early Ming period, when the court painting tradition was producing some of the most accomplished bird-and-flower paintings in Chinese art.

Cultural Impact

Birds Gather under the Spring Willow is important in the history of Chinese painting because it demonstrates the precisely observed, elegant manner of the Ming court painting tradition as practiced by one of its most important painters. The Ming court tradition of precisely observed bird-and-flower painting—combining the observation of nature with the elegant composition of the court tradition—represents one of the most accomplished traditions in Chinese painting, and the late 1400s-early 1500s painting shows this tradition at its most precisely observed.

Why It Matters

Birds Gather under the Spring Willow is Yin Hong's Ming court bird-and-flower painting: birds under a spring willow rendered in the precisely observed, elegant manner of one of the most important painters of the Ming court tradition. The late 1400s-early 1500s painting shows the combination of precise observation with elegant composition that is the hallmark of the Ming court painting tradition.