During the British colonial period in Sri Lanka (Ceylon), a 12th-century monastic establishment with a colossal stone sculpture of the reclining Buddha had fallen into ruins. The photographer’s intentional inclusion of a Sri Lankan man, leaning against a pillar at the front of the composition, and a colonial Englishman, clambering over Buddha’s body, underscores how differently they interact with the site. The Sri Lankan visitor views the ruins with devotional reverence; the Englishman treats it as a place of adventurous entertainment.