Description
In southern China, farmers use water buffalos to help plow their fields, which children often tend. In Buddhist teachings, the subject of herding or taming an ox was used to illustrate the 10 steps to enlightenment, or spiritual awakening. A single image may be read as a metaphorical representation of the Chan process of attaining enlightenment, the difficulty of which was likened to that of finding a strayed buffalo. Here, a buffalo is watered by a boy, another takes a bath in the pond. Chan paintings introduced to Japan were often remounted to fit them into niches for display (tokonoma), which explains the painting’s current format.
Provenance
(Howard C. Hollis [1899–1985], Cleveland, OH, sold to Mr. and Mrs. Leisy); Mr. Herbert F. [1900–1977] and Mrs. Helen Stamp Leisy [1906–1975], Cleveland, OH, bequest to the Cleveland Museum of Art (?–1977); The Cleveland Museum of Art, Cleveland, OH (1977–)
Accession Number
1977.200
Medium
Hanging scroll; ink on silk
Dimensions
Painting: 23.7 x 50.5 cm (9 5/16 x 19 7/8 in.); Overall with knobs: 109 x 67.6 cm (42 15/16 x 26 5/8 in.)
Classification
Painting
Credit Line
Gift of Herbert F. Leisy in memory of his wife, Helen Stamp Leisy