Description
By the 1600s, the historic gathering at Lanting, Zhejiang province, in 353 CE was a common theme in Chinese painting. Originally based on a composition attributed to Li Gonglin (1049– 1106), now lost, Wu school artists revived the theme.
Fan Yi, the brother of the artist Fan Qi from Nanjing, used delicate brushwork and luminous colors to depict the spring gathering.
Fan Yi, the brother of the artist Fan Qi from Nanjing, used delicate brushwork and luminous colors to depict the spring gathering.
Provenance
Tomioka Tessai 富岡鐵齋 [1837–1924]; Wong Kwan-Shut 黃君實 [b. 1934], Kansas City, Missouri, sold to the Cleveland Museum of Art (?–1977); The Cleveland Museum of Art, Cleveland, OH (1977–)
Accession Number
1977.47
Medium
Handscroll; ink and color on silk
Dimensions
Image: 28.4 x 392.8 cm (11 3/16 x 154 5/8 in.); Overall: 29.8 x 763.3 cm (11 3/4 x 300 1/2 in.)
Classification
Painting
Credit Line
Gift of Mrs. Wai-kam Ho and the Womens Council of The Cleveland Museum of Art
Tags
Painting Baroque (1600–1750) Ink Silk Painting Chinese
Background & Context
Background Story
Fan Yi (active 17th century) was a Chinese painter known for the literati paintings of the Qing dynasty that make him one of the accomplished painters of the Qing literati tradition. Purification at the Orchid Pavilion from 1671 depicts the famous Gathering at the Orchid Pavilion where the calligrapher Wang Xizhi composed the Preface to the Poems Collected from the Orchid Pavilion in 353 CE, one of the most important subjects in Chinese literati painting. The 1671 date places this in the early Qing period, when the tradition of painting the Orchid Pavilion gathering was being continued by literati painters who saw themselves as heirs to the great calligraphic and literary tradition of Wang Xizhi.
Cultural Impact
Purification at the Orchid Pavilion is important in the history of Chinese painting because it demonstrates the enduring tradition of painting the famous gathering at the Orchid Pavilion that is one of the most important subjects in Chinese literati painting. The gathering at the Orchid Pavilion—where Wang Xizhi composed the most famous calligraphic work in Chinese history—is one of the most important subjects in Chinese literati culture, and the 1671 painting shows how this subject was being continued in the early Qing period by painters who saw themselves as heirs to Wang Xizhi's tradition.
Why It Matters
Purification at the Orchid Pavilion is Fan Yi's Qing literati painting: the famous gathering at the Orchid Pavilion where Wang Xizhi composed his calligraphic masterpiece, one of the most important subjects in Chinese literati culture. The 1671 painting shows how the Orchid Pavilion tradition was continued by Qing literati painters who saw themselves as heirs to Wang Xizhi's great calligraphic tradition.