Description
Marl is a crumbly mixture of clays, calcium, and magnesium carbonates, often used as fertilizer for lime-deficient soils.
Provenance
Painter Charles François Daubigny by 1874. His collection sale, Paris, Drouot, 14 April 1891 (lot 49), Paysage; soleil couchant, peinture sur papier marouflé sur toile, 48 x 100 cm. Galerie Berne Bellecour, Paris 1893. E. Martinet by 1894. Martinet collection sale, Paris, Drouot, 27 February 1896 (lot 51), La marnière de Mulcent; effet du soir. Dr. Salathé-Dietz. Paris sale, Drouot, 14 December 1976 (lot 76), Paysage: soleil couchant, 48 x 100 cm. Galerie Delestre, Paris. Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.
Accession Number
1980.245
Medium
oil on paper, mounted to cardboard, mounted to plywood
Dimensions
Framed: 64.2 x 115.8 x 7.7 cm (25 1/4 x 45 9/16 x 3 1/16 in.); Unframed: 47.6 x 99.2 cm (18 3/4 x 39 1/16 in.)
Classification
Painting
Credit Line
Bequest of Noah L. Butkin
Tags
Painting Impressionist & Modern (1851–1900) Oil Painting Board French
Background & Context
Background Story
Antoine Chintreuil (1814-1873) was a French landscape painter known for his atmospheric studies of the French countryside that anticipate the Impressionist treatment of light and atmosphere. The Marl Pit at Mulcent: Evening from after 1857 depicts a marl pit—a type of quarry used for extracting marl (a lime-rich soil used as fertilizer)—in the village of Mulcent near Paris, at evening. Chintreuil's treatment emphasizes the atmospheric effects of evening light rather than the topographical details of the pit, demonstrating the priority of atmospheric sensation over topographical accuracy that distinguishes his work from the Barbizon School's more naturalistic approach.
Cultural Impact
Chintreuil's marl pit paintings are important in the history of French landscape painting because they demonstrate the transition from Barbizon naturalism to Impressionist atmospheric treatment that took place in the 1860s and 1870s. The Marl Pit at Mulcent shows Chintreuil giving priority to atmospheric sensation over topographical detail—the evening light is more important than the geological information, anticipating the Impressionist treatment of light effects.
Why It Matters
The Marl Pit at Mulcent: Evening is Chintreuil between Barbizon and Impressionism: a marl pit at evening rendered with atmospheric sensation taking priority over topographical detail. The painting anticipates the Impressionist treatment of light effects while still retaining the compositional structure of Barbizon landscape.