Easter Monday-Hélène Daurmont

Provenance

Wemyss Honeyman; (Fine Arts Society, London)

Easter Monday-Hélène Daurmont

Walter Sickert

1906

Accession Number

1982.145

Medium

oil on canvas

Dimensions

Unframed: 50.8 x 40.7 cm (20 x 16 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Mr. and Mrs. William H. Marlatt Fund

Tags

Painting Early Modern (1901–1950) Oil Painting Canvas British

Background & Context

Background Story

Walter Sickert (1860-1942) was a British painter known for the atmospheric, theatrical manner that makes him one of the most important painters of the Camden Town Group and the British Post-Impressionist tradition. Easter Monday-Helene Daurmont from 1906 depicts a figure in the atmospheric, theatrical manner that distinguishes Sickert's best work from the more straightforward painting of his British contemporaries. The 1906 date places this in Sickert's most productive period, when he was painting the atmospheric interiors and theatrical scenes that are his most accomplished works.

Cultural Impact

Easter Monday is important in the history of British painting because it demonstrates the atmospheric, theatrical manner that Sickert brought to British painting as the most important member of the Camden Town Group. Sickert's atmospheric manner—combining the influence of Degas's theatrical subjects with the atmospheric observation of the British interior—represents the most important development in British painting at the beginning of the 20th century, and the 1906 painting shows this development at its most characteristic.

Why It Matters

Easter Monday is Sickert's atmospheric British Post-Impressionism: Helene Daurmont rendered in the theatrical, atmospheric manner that makes him the most important member of the Camden Town Group. The 1906 painting shows the Degas-influenced theatrical observation applied to the British interior.