Description
The mirror was both a courtly accouterment and a popular poetic device in Persian literature. The central circular panel has a hinge and hook that opens to reveal the mirror. The texts in the ring are verses by different authors referring to mirrors. One says: Have they placed a mirror facing the sun at the door of that tent, Or is it the light rays shining from the forehead?
Such mirrors were popular during the Qajar period (1779–1925), but this example evokes the grandeur of the earlier Safavid period by inscribing in the center the name of Shah Sulayman (1648–1694) who, fittingly, spent most of his 28-year reign with women in the harem, where such mirrors would have been used.
Such mirrors were popular during the Qajar period (1779–1925), but this example evokes the grandeur of the earlier Safavid period by inscribing in the center the name of Shah Sulayman (1648–1694) who, fittingly, spent most of his 28-year reign with women in the harem, where such mirrors would have been used.
Provenance
Dr. Mehmed A. [1902–1981] and Mrs. Louise Dean Simsar [1900–1986], New York, NY, given to the Cleveland Museum of Art (c. 1943–1983); The Cleveland Museum of Art, Cleveland, OH (1983–)
Accession Number
1983.1111
Medium
Steel engraved and inlaid with gold and silver with openwork calligraphic design on hinged door
Dimensions
Diameter: 25.5 cm (10 1/16 in.); Overall: 52.5 cm (20 11/16 in.); Diameter of base: 18.6 cm (7 5/16 in.)
Classification
Metalwork
Credit Line
Gift of Mrs. Mehmed A. Simsar in memory of Dr. Mehmed A. Simsar
