Two Horses

Provenance

(Mayuyama, Tokyo, Japan, sold to Kelvin and Eleanor Armstrong Smith ); The Kelvin Smith Collection, Cleveland, OH, given by Mrs. Kelvin [Eleanor Armstrong] Smith [1899–1998] to the Cleveland Museum of Art (?–1985); The Cleveland Museum of Art, Cleveland, OH (1985–)

Two Horses

Yu Yuan

1644–1911

Accession Number

1985.372

Medium

Hanging scroll; ink and color on silk

Dimensions

Overall: 61 x 49.2 cm (24 x 19 3/8 in.); Mounted: 172.6 x 68 cm (67 15/16 x 26 3/4 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

The Kelvin Smith Collection, given by Mrs. Kelvin Smith

Tags

Painting Baroque (1600–1750) Ink Silk Painting Chinese

Background & Context

Background Story

Yu Yuan (active Qing dynasty) was a Chinese painter known for the dynamically composed, precisely observed paintings of horses that make him one of the accomplished painters of the Qing dynasty tradition. Two Horses from the Qing dynasty (1644-1911) depicts two horses in the dynamically composed, precisely observed manner that distinguishes Yu Yuan's best work from the more general horse painting of his contemporaries. Horses were one of the most important subjects in Chinese painting, symbolizing speed, power, and military prowess, and the dynamically composed treatment shows the Chinese horse painting tradition at its most accomplished.

Cultural Impact

Two Horses is important in the history of Chinese painting because it demonstrates the dynamically composed, precisely observed manner of the Qing dynasty horse painting tradition. Horses—symbolizing speed, power, and military prowess—were one of the most important subjects in Chinese painting, and the dynamically composed, precisely observed treatment represents one of the most accomplished traditions in Chinese horse painting.

Why It Matters

Two Horses is Yu Yuan's dynamically composed Qing dynasty painting: two horses rendered in the precisely observed manner of one of the accomplished painters of the Qing dynasty tradition. The painting shows the horse—one of the most important subjects in Chinese painting—at its most dynamically composed.