David:  "Oh, that I had wings like a Dove!  For then would I fly away, and be at rest." Psalm 55:6

Description

From the many events in the turbulent life of the biblical King David, Leighton chose to depict his moment of gravest doubt. Having just learned of the death of his rebellious son Absalom at the hands of his own army, David has withdrawn to a chamber above the city gate. Casting aside his crown, which lies on the floor, the ruler muses on the conflicting demands of family and nation.

Provenance

Possibly Henry Graves & Co., London sale, Christie's, 7 March 1868. James Leathart by 1884, London sale, Christie's, 19 June 1897 (lot 39), 130 gns. to Colnaghi. Different Properties, London sale, Christie's, 21 July 1919 (lot 121), £50.80 to Sampson. Peter Nahum, London. Purchased by the CMA in 1986.

David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6

Frederic Leighton

1865

Accession Number

1986.74

Medium

oil on fabric

Dimensions

Framed: 125 x 152.4 x 4.5 cm (49 3/16 x 60 x 1 3/4 in.); Unframed: 96.5 x 122.5 cm (38 x 48 1/4 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Leonard C. Hanna Jr. Fund

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting British

Background & Context

Background Story

Frederic Leighton (1830-1896) was a British painter known for the classically inspired, beautifully composed paintings that made him the president of the Royal Academy and the most important painter of the British classical tradition. David: Oh, that I had wings like a Dove from 1865 depicts the biblical King David in the classically inspired, beautifully composed manner that distinguishes Leighton's best work from the more anecdotal painting of his contemporaries. The 1865 date places this in Leighton's most productive period, when he was producing the classically inspired paintings that would make him the most important painter of the British classical tradition.

Cultural Impact

David is important in the history of British painting because it demonstrates the classically inspired, beautifully composed manner that Leighton brought to biblical subjects as the most important painter of the British classical tradition. Leighton's combination of classical composition with beautiful execution—creating paintings that are simultaneously classical in inspiration and beautiful in finish—represents the British classical tradition at its most accomplished, and the 1865 painting shows this tradition in a biblical subject.

Why It Matters

David is Leighton's British classicism: King David rendered in the beautifully composed, classically inspired manner that made him the most important painter of the British classical tradition and president of the Royal Academy. The 1865 painting shows the British classical tradition at its most accomplished—classical inspiration with beautiful execution.