Radha and Krishna in the Rain

Provenance

George Bickford [1901–1991] and Clara Louise Gehring Bickford [1903–1985], Cleveland Heights, OH (by 1975); Dorothea Swope [b. 1944], New York, NY, given to the Cleveland Museum of Art (?–1988); The Cleveland Museum of Art, Cleveland, OH (1988–)

Radha and Krishna in the Rain

[]

c. 1780

Accession Number

1988.120

Medium

Gum tempera, ink, and gold on paper

Dimensions

Image: 25.7 x 17.1 cm (10 1/8 x 6 3/4 in.); Overall: 30.3 x 21.6 cm (11 15/16 x 8 1/2 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Miss Dorothea Swope in memory of Mahadevan Natesan

Tags

Painting Neoclassical & Romantic (1751–1850) Ink Tempera Gold Leaf Paper

Background & Context

Background Story

Radha and Krishna in the Rain from c. 1780 depicts Radha and Krishna in the rain in the richly colored, narrative manner of the Pahari miniature painting tradition. The subject of Radha and Krishna in the rain is one of the most poetic subjects in Indian miniature painting, representing the divine lovers seeking shelter together as a metaphor for spiritual union, and paintings depicting this subject represent one of the most accomplished traditions in Pahari miniature painting. The c. 1780 date places this in the period when Pahari miniature painting was producing some of its most accomplished works.

Cultural Impact

Radha and Krishna in the Rain is important in the history of Indian painting because it depicts one of the most poetic subjects in Pahari miniature painting—Radha and Krishna seeking shelter together from the rain as a metaphor for spiritual union. The subject of Radha and Krishna in the rain—representing the divine lovers seeking shelter together—is one of the most poetic subjects in Indian miniature painting, and the c. 1780 painting shows this subject at its most richly colored.

Why It Matters

Radha and Krishna in the Rain is an anonymous Pahari miniature: the divine lovers seeking shelter from the rain rendered in the richly colored narrative manner of the Indian miniature painting tradition. The c. 1780 painting shows one of the most poetic subjects in Indian art at its most richly colored.