Description
In the distance the peak of Cader Idris is shown, while riders in the foreground descend toward the river Mawddach. Although almost all of Wilson's earlier pictures of Wales suggest some association with that country's heroic past, here the emphasis is on the pleasing beauty of the land. Another version of this picture is in the Walker Art Gallery in Liverpool. Richard Wilson was the first major British artist to specialize in landscape, a focus he pursued intently after a visit to Italy in 1750-6. The countryside around Rome, with its rich associations of ancient grandeur, inspired him to look at landscape as a source of poetry. Back in England his Italian landscapes, which appealed to his patrons (mostly English noblemen) were a great success. He then applied a similar approach to his English and Welsh scenes, treating them as vehicles for ideas and emotions.
Provenance
Michael Grazebrook (sale: Christie's, London, 21 June, 1890, no. 131); F. Worsely-Taylor (1892, by descent to Miss Dorothea Worsley-Taylor, Christie's, London sale 15 March, 1978, no. 113); Leggatts for Private Collection; (Agnews, London); Michael Grazebrook (sale: Christie's, London, 21 June, 1890, no. 131); F. Worsely-Taylor (1892, by descent to Miss Dorothea Worsley-Taylor, Christie's, London sale 15 March, 1978, no. 113); (Leggatts for Private Collection); (Agnews, London).
Accession Number
1989.52
Medium
oil on canvas
Dimensions
Framed: 105.5 x 120.5 x 7 cm (41 9/16 x 47 7/16 x 2 3/4 in.); Unframed: 89.8 x 105.5 cm (35 3/8 x 41 9/16 in.)
Classification
Painting
Credit Line
Leonard C. Hanna Jr. Fund
Tags
Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas British
Background & Context
Background Story
Richard Wilson (1714-1782) was a Welsh painter known as the father of British landscape painting, whose classical landscape manner influenced the development of the British landscape tradition. Cader Idris with the Mawddach River from c. 1774 depicts the Welsh mountain in the classical manner that Wilson developed from his study of Claude Lorrain and the Italian landscape tradition. The c. 1774 date places this in Wilson's mature period, when he was producing the classical Welsh landscapes that are his most accomplished works, combining the classical landscape tradition of Claude with the actual scenery of Wales.
Cultural Impact
Cader Idris with the Mawddach River is important in the history of British landscape painting because it demonstrates the classical manner that Wilson brought to Welsh scenery as the father of the British landscape tradition. Wilson's classical Welsh landscapes—combining Claude's ideal landscape composition with the actual scenery of Wales—represent the foundation of the British landscape tradition, and the c. 1774 painting shows this foundation at its most accomplished.
Why It Matters
Cader Idris is Wilson's classical Welsh landscape: the Welsh mountain rendered in the Claude-inspired manner of the father of British landscape painting. The c. 1774 painting shows Claude's ideal landscape composition applied to the actual scenery of Wales—the foundation of the British landscape tradition.