On Bos'n's Hill

Description

Located in New Castle, New Hampshire, Bos’n’s Hill was a favored leisure spot for Tarbell’s family, which included four children. It provides the luminous setting for this depiction of the artist’s wife, Emeline, who strolls through the landscape with a parasol to protect her from the sun, while a beloved pet dog accompanies her. Four years later, the couple purchased a summer house nearby.

Provenance

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On Bos'n's Hill

Edmund C. Tarbell

1901

Accession Number

1992.398

Medium

oil on canvas

Dimensions

Framed: 126 x 100.3 x 5.8 cm (49 5/8 x 39 1/2 x 2 5/16 in.); Unframed: 106 x 78 cm (41 3/4 x 30 11/16 in.); Former: 127.6 x 101.6 x 8.9 cm (50 1/4 x 40 x 3 1/2 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Mr. and Mrs. Thomas A. Mann and Robert A. Mann

Tags

Painting Early Modern (1901–1950) Oil Painting Canvas American

Background & Context

Background Story

Edmund Charles Tarbell (1862-1938) was the leader of the Boston School of painting, known for his refined domestic interiors and portraits of women and children in sun-filled rooms. On Bos'n's Hill from 1901 depicts a view from Bos'n's Hill—a location associated with the coastal New England landscape that Tarbell frequently painted—with the delicate handling of light and atmosphere that distinguishes his Impressionist-influenced style. The 1901 date places this in Tarbell's most productive period, when he was producing the sun-drenched outdoor scenes that complement his better-known interior paintings.

Cultural Impact

On Bos'n's Hill is an important example of Tarbell's outdoor work, complementing the interior paintings for which he is better known. The painting demonstrates that Tarbell's delicate handling of light was not limited to the filtered interior light of his domestic scenes but extended to the direct, unmediated light of the New England coast. The painting's Impressionist-influenced style shows the influence of the French Impressionists on American painting at the turn of the century, while maintaining the compositional rigor and tonal refinement that distinguish the Boston School.

Why It Matters

On Bos'n's Hill is Tarbell's outdoor Impressionism at its most refined: a New England coastal scene with the delicate handling of direct sunlight that complements his better-known interior paintings. The 1901 painting demonstrates that the Boston School leader's handling of light extended beyond filtered interiors to unmediated outdoor illumination.