Description
Located in New Castle, New Hampshire, Bos’n’s Hill was a favored leisure spot for Tarbell’s family, which included four children. It provides the luminous setting for this depiction of the artist’s wife, Emeline, who strolls through the landscape with a parasol to protect her from the sun, while a beloved pet dog accompanies her. Four years later, the couple purchased a summer house nearby.
Provenance
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Accession Number
1992.398
Medium
oil on canvas
Dimensions
Framed: 126 x 100.3 x 5.8 cm (49 5/8 x 39 1/2 x 2 5/16 in.); Unframed: 106 x 78 cm (41 3/4 x 30 11/16 in.); Former: 127.6 x 101.6 x 8.9 cm (50 1/4 x 40 x 3 1/2 in.)
Classification
Painting
Credit Line
Gift of Mr. and Mrs. Thomas A. Mann and Robert A. Mann
Tags
Painting Early Modern (1901–1950) Oil Painting Canvas American
Background & Context
Background Story
Edmund Charles Tarbell (1862-1938) was the leader of the Boston School of painting, known for his refined domestic interiors and portraits of women and children in sun-filled rooms. On Bos'n's Hill from 1901 depicts a view from Bos'n's Hill—a location associated with the coastal New England landscape that Tarbell frequently painted—with the delicate handling of light and atmosphere that distinguishes his Impressionist-influenced style. The 1901 date places this in Tarbell's most productive period, when he was producing the sun-drenched outdoor scenes that complement his better-known interior paintings.
Cultural Impact
On Bos'n's Hill is an important example of Tarbell's outdoor work, complementing the interior paintings for which he is better known. The painting demonstrates that Tarbell's delicate handling of light was not limited to the filtered interior light of his domestic scenes but extended to the direct, unmediated light of the New England coast. The painting's Impressionist-influenced style shows the influence of the French Impressionists on American painting at the turn of the century, while maintaining the compositional rigor and tonal refinement that distinguish the Boston School.
Why It Matters
On Bos'n's Hill is Tarbell's outdoor Impressionism at its most refined: a New England coastal scene with the delicate handling of direct sunlight that complements his better-known interior paintings. The 1901 painting demonstrates that the Boston School leader's handling of light extended beyond filtered interiors to unmediated outdoor illumination.