Description
One of the favorite pastimes of the Rajput nobility was hunting, a subject frequently depicted in secular painting in Rajasthan. Often much larger than other Indian paintings, hunting scenes glorified the pleasures and splendors of these stately affairs. This colorful painting depicts a royal hunt conducted by the Maharana Jagat Singh II of Udaipur. An inscription on the reverse side of the painting mentions the Maharana's name along with the hunting party's other participants, including the Maharana's brother.
The hunt takes place in a detailed landscape of hills and varied vegetation. The animals (tiger, bear, wild boar, deer, stag, and antelope) are rounded up and diverted by servants (who shoot firecrackers) toward the shooting box at the center of the composition, where the royal members of the hunting party await their prey. Another group of servants with dogs approaches from the opposite direction to cut off the animals' route of escape. Some beasts are already killed or wounded, while others are trying desperately to run for their lives.
The hunt takes place in a detailed landscape of hills and varied vegetation. The animals (tiger, bear, wild boar, deer, stag, and antelope) are rounded up and diverted by servants (who shoot firecrackers) toward the shooting box at the center of the composition, where the royal members of the hunting party await their prey. Another group of servants with dogs approaches from the opposite direction to cut off the animals' route of escape. Some beasts are already killed or wounded, while others are trying desperately to run for their lives.
Provenance
The Cleveland Museum of Art, Cleveland, OH (1998–)
Accession Number
1998.102
Medium
Gum tempera and gold on paper
Dimensions
Sheet: 42.5 x 47 cm (16 3/4 x 18 1/2 in.)
Classification
Painting
Credit Line
John L. Severance Fund
Tags
Painting Baroque (1600–1750) Tempera Gold Leaf Paper
Background & Context
Background Story
Jugarsi (active mid-18th century) was an Indian painter known for the dynamically composed, richly colored paintings of courtly subjects that make him one of the accomplished painters of the Mewar court. Maharana Jagat Singh II Hunting from 1747 depicts Maharana Jagat Singh II—the ruler of Mewar—hunting in the dynamically composed, richly colored manner that distinguishes Jugarsi's best work from the more general courtly painting of his contemporaries. Hunting scenes were one of the most important subjects in Indian courtly painting, representing the power and courage of the rulers who commissioned them, and Jugarsi's dynamically composed treatment shows the Mewar courtly painting tradition at its most accomplished.
Cultural Impact
Maharana Jagat Singh II Hunting is important in the history of Indian painting because it demonstrates the dynamically composed, richly colored manner of the Mewar courtly painting tradition as practiced by Jugarsi. Hunting scenes—representing the power and courage of the rulers who commissioned them—were one of the most important subjects in Indian courtly painting, and the 1747 painting shows the Mewar courtly painting tradition at its most dynamically composed and richly colored.
Why It Matters
Maharana Jagat Singh II Hunting is Jugarsi's dynamically composed Mewar courtly painting: the Maharana of Mewar depicted hunting in the richly colored manner of one of the accomplished painters of the Mewar court. The 1747 painting shows the power and courage of the ruler in one of the most important subjects in Indian courtly painting.