Operating on Guan Yu's Arm

Description

Ukiyo-e artists’ subject matter extended to popular literature. Katsushika Ōi used color to great effect in her gruesome version of an episode from a 14th-century Chinese novel, Romance of the Three Kingdoms. Ōi portrayed the passage in which legendary 3rd-century military leader Guan Yu undergoes a bone scraping to remove poisons received from an arrow wound. In this sensationalist portrayal, Guan Yu’s attendants cower at the sight of his bloody arm while he remains unflinchingly focused on his game. As a woman, Ōi was an outlier in her era, but her talent was allowed to shine due to collaboration with her father, Katsushika Hokusai (1760–1849), the famed designer of the print known as The Great Wave.

Provenance

Yamagata Hatsutaro (before 1998); (Christie's New York, "An Important Collection of Japanese Ukiyo-e Paintings," 27 October 1998, lot 84, sold to the Cleveland Museum of Art) (October 27, 1998); The Cleveland Museum of Art, Cleveland, OH (1998–)

Operating on Guan Yu's Arm

Katsushika Ōi

1840s

Accession Number

1998.178

Medium

hanging scroll; ink, color, and gold on silk

Dimensions

Mounted: 206.7 x 73.1 cm (81 3/8 x 28 3/4 in.); Painting: 140.2 x 68.3 cm (55 3/16 x 26 7/8 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Kelvin Smith Fund

Tags

Painting Neoclassical & Romantic (1751–1850) Ink Silk Painting Gold Leaf Japanese

Background & Context

Background Story

Katsushika Oi (c. 1800-1850s) was a Japanese painter known as the daughter and assistant of Katsushika Hokusai, whose few surviving works demonstrate a distinctive talent that is in some respects more bold and accomplished than her father's. Operating on Guan Yu's Arm from the 1840s depicts the famous episode from the Romance of the Three Kingdoms in which the physician Hua Tuo operates on the arm of the general Guan Yu, in the bold, dramatic manner that distinguishes Oi's best work. The 1840s date places this in Oi's most productive period, when she was producing the bold, dramatic paintings that demonstrate a distinctive talent that has been increasingly recognized in recent years.

Cultural Impact

Operating on Guan Yu's Arm is important in the history of Japanese painting because it demonstrates the bold, dramatic manner that makes Katsushika Oi one of the most distinctive female painters in Japanese art history. Oi's surviving works—few in number but bold in execution—have been increasingly recognized in recent years as demonstrating a distinctive talent that is in some respects more bold than her father Hokusai's, and the 1840s painting shows this distinctive talent in a dramatic subject from Chinese history.

Why It Matters

Operating on Guan Yu's Arm is Oi's bold dramatic painting: the famous episode from the Romance of the Three Kingdoms rendered in the bold manner of the daughter of Hokusai, whose distinctive talent is increasingly recognized as surpassing her father's in boldness. The 1840s painting shows one of the most distinctive female painters in Japanese art history at her most dramatic.