The Triumph of Camillus

Provenance

Visconti collection, Milan.[1] (Count Alessandro Contini Bonacossi, Florence); sold 27 December 1934 to the Samuel H. Kress Foundation, New York;[2] gift 1939 to NGA. [1] According to Kress collection records, in NGA curatorial files. [2] The bill of sale was for five paintings, with NGA 1939.1.153 described as "Cassone Front by Biagio di Antonio" (copy in NGA curatorial files). See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/2315.

The Triumph of Camillus

Biagio d'Antonio

c. 1470/1475

Accession Number

1939.1.153

Medium

tempera on panel

Dimensions

overall: 60.1 × 154.3 cm (23 11/16 × 60 3/4 in.) | framed: 81.4 x 175.3 x 9.8 cm (32 1/16 x 69 x 3 7/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Samuel H. Kress Collection

Tags

Painting Renaissance (1400–1599) Tempera Panel Painting Italian

Background & Context

Background Story

Biagio d'Antonio (1446-1516) was a Florentine painter known for his cassoni (marriage chest) paintings and decorative works that combine the Florentine narrative tradition with the decorative elegance of the Florentine Renaissance. The Triumph of Camillus from c. 1470-75 depicts the Roman story of Camillus's triumphal procession after the capture of Veii, rendered in the tempera on panel medium that was standard for Florentine cassoni and devotional paintings. The collaborative attribution to Biagio d'Antonio and Workshop indicates that the painting was produced in the painter's studio with the assistance of workshop members, the standard method of production for Florentine Renaissance paintings.

Cultural Impact

The Triumph of Camillus is important in the history of Florentine Renaissance painting because it demonstrates the narrative tradition of Florentine cassoni paintings in a larger format. The Roman subject of Camillus's triumph provided Florentine patrons with the classical narrative that they prized in their domestic decoration, and the collaborative workshop production demonstrates the standard method by which Florentine Renaissance paintings were produced.

Why It Matters

The Triumph of Camillus is Florentine narrative painting in the cassoni tradition: the Roman triumph of Camillus rendered in tempera on panel with the decorative elegance and narrative clarity that distinguish Florentine cassoni painting. The c. 1470-75 collaborative workshop painting demonstrates the standard method of Florentine Renaissance production.