Provenance
A. Firmin-Didot (1790-1876)(Lugt 119)(Sale, Hôtel Drouot, Paris, 16 April-12 May 1877, no. 85); (William H. Schab Gallery, New York); purchased by Ruth Carter Stevenson for the NGA, 1987.
Monsieur and Madame Blizet with Monsieur Le Roy the Actor
c. 1765
Accession Number
1987.56.1
Medium
watercolor and gouache over red and black chalks with touches of graphite on laid paper; laid down
Dimensions
overall: 27.8 x 18.5 cm (10 15/16 x 7 5/16 in.)
Classification
Drawing
Credit Line
Gift of Ruth Carter Stevenson in memory of Sir Geoffrey Agnew
Tags
Drawing Neoclassical & Romantic (1751–1850) Watercolor Graphite & Pencil Gouache Paper French
Background & Context
Background Story
Louis de Carrogis, called Carmontelle (1717-1806), was a French painter, draughtsman, and writer known for his portraits en pieds (full-length) of French aristocratic society figures in the intimate, observational manner that distinguishes his work from the more formal portraiture of his contemporaries. Monsieur and Madame Blizet with Monsieur Le Roy the Actor from c. 1765 depicts a group of theater people in the informal, conversational poses that make Carmontelle's portraits uniquely valuable documents of 18th-century French social life. The watercolor and gouache medium allows the spontaneity and intimacy that distinguish Carmontelle's portraits from the more formal oil portraits of the period.
Cultural Impact
Carmontelle's portrait of Monsieur and Madame Blizet with Monsieur Le Roy the Actor is important in the history of 18th-century French portraiture because it demonstrates the informal, observational manner that makes his portraits uniquely valuable documents of French social life. Unlike the formal portrait painters who idealized their sitters, Carmontelle recorded the actual appearance and social behavior of his subjects with the precision of an ethnographer, creating a visual record of 18th-century French society that is unmatched in its specificity and detail.
Why It Matters
Monsieur and Madame Blizet with Monsieur Le Roy the Actor is Carmontelle's social portraiture at its most intimate: theater people in informal, conversational poses recorded with the ethnographic precision that makes his portraits uniquely valuable documents of 18th-century French social life. The c. 1765 watercolor and gouache captures the informal social behavior that formal oil portraits never show.
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