Comte d'Arthois, Paris.[1] (Metropolitan Galleries, New York), in 1931-1932.[2] (Nicholas M. Acquavella Galleries, New York), in 1938.[3] (Dr. Siegfried F. Aram, New York), in 1941.[4] Purchased by the Rizik family, Washington, D.C.;[5] gift 2001 to NGA. [1] According to the 1941 exhibition catalogue (see note 4), the set of four paintings by Giaquinto, _Spring_, _Summer_, _Autumn_, and _Winter_, was formerly in this collection. [2] Metropolitan Galleries lent the four paintings to a 1931 exhibition in Birmingham, Alabama, and included the paintings in a 1932 exhibition in their own galleries. [3] Acquavella Galleries lent the four paintings to a 1938 exhibition in Memphis. [4] This dealer was Dr. Siegfried F. Aram, a German lawyer-turned-art collector and dealer, who left Nazi Germany and had a gallery on 57th Street in New York until the early 1950s (see his letter of 3 June 1955 to Dr. Edgar P. Richardson, Archives of American Art, Edgar Preston Richardson Papers, Box 1: Special Correspondence A-B, Folder: Aram, Siegfried; copy in NGA curatorial files). Aram lent the four paintings to an exhibition in San Francisco in 1941. [5] All four paintings were purchased from a New York dealer, probably Aram, by Philip Rizik's father, who died in 1953, at which time the paintings passed with the elder Rizik's estate to his widow. When she died in 1978, her estate passed in equal shares to the Rizik's seven children. Philip, Jacqueline, and Maxine Rizik chose by mutual agreement joint ownership of the set of Qiaquinto paintings.