The Mill (at Goppeln)

Provenance

Collection of the artist;[1] (Galerie Wolfgang Ketterer, Munich), in 1966.[2] (Leonard Hutton Gallery, New York), by 1968.[3] Arnold A. [1916-2014] and Joan R. [1919-2019] Saltzman, Sands Point, New York; gift 2020 to NGA. [1] Lent by the artist to XXVII Maggio Musicale Fioretnino, _L'Espressionismo: Pittura Scultura Architettura_, Palazzo Strozzi, Florence, 1964, no. 114. [2] Exhibited, for sale, at Galerie Wolfgang Ketterer, Munich, 26 February - 17 April 1966, no. 18, repro. [3] Exhibited, for sale, at _Fauves and Expressionists_, Leonard Hutton Galleries, New York, 1968, no. 27, repro.

The Mill (at Goppeln)

Heckel, Erich

1907

Accession Number

2020.112.7

Medium

oil on canvas

Dimensions

overall: 64.5 x 69.9 cm (25 3/8 x 27 1/2 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Collection of Arnold and Joan Saltzman

Tags

Painting Early Modern (1901–1950) Oil Painting Canvas German

Background & Context

Background Story

Erich Heckel (1883-1970) was a German painter known as a founding member of Die Brucke (The Bridge), the pioneering Expressionist group founded in Dresden in 1905. The Mill (at Goppeln) from 1907 depicts a mill in the village of Goppeln near Dresden in the bold, angular manner that distinguishes Heckel's early Die Brucke work. The 1907 date places this in the earliest and most productive period of Die Brucke, when the group was developing the bold, angular Expressionist style that would revolutionize German art, and the Goppeln subject shows the group's practice of painting in the countryside near Dresden.

Cultural Impact

The Mill (at Goppeln) is important in the history of German Expressionism because it demonstrates the bold, angular manner that Heckel developed as a founding member of Die Brucke. Die Brucke's practice of painting in the countryside near Dresden—using bold, angular forms and vivid colors to transform the landscape into an expression of inner feeling—revolutionized German art, and the 1907 painting shows this revolution in its earliest, most energetic phase.

Why It Matters

The Mill (at Goppeln) is Heckel's early Die Brucke Expressionism: a mill near Dresden rendered in the bold, angular manner of one of the founding members of the pioneering Expressionist group. The 1907 painting shows the revolution in its earliest phase—bold forms and vivid colors transforming the landscape into Expressionist feeling.