Leisure and Labor

Provenance

Purchased 1859 from the artist by William Wilson Corcoran [1798-1888], Washington; gift 10 May 1869 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art.

Leisure and Labor

Mayer, Frank Blackwell

1858

Accession Number

2014.136.111

Medium

oil on canvas

Dimensions

overall: 39.53 × 57.94 cm (15 9/16 × 22 13/16 in.) | framed: 56.83 × 78.11 × 10.16 cm (22 3/8 × 30 3/4 × 4 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Corcoran Collection (Gift of William Wilson Corcoran)

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting Canvas American

Background & Context

Background Story

Frank Blackwell Mayer (1827-1899) was an American painter known for his genre scenes of American Indian life and American social subjects. Leisure and Labor from 1858 depicts the relationship between leisure and labor in mid-19th century American society—an allegorical subject that reflects the social concerns of the period. The 1858 date places this in the pre-Civil War period when American painters were beginning to address social subjects with the moral seriousness that would characterize American painting of the Civil War era. The title's juxtaposition of 'Leisure' and 'Labor' suggests the social critique that American genre painting could carry when it addressed the relationship between the classes.

Cultural Impact

Leisure and Labor is important in the history of American genre painting because it demonstrates the social critique that American painting could carry in the antebellum period. The 1858 painting's juxtaposition of leisure and labor addresses the class relationships that would become more urgent with the approach of the Civil War, and the allegorical subject shows that American genre painting was not limited to humorous scenes of rural life but could address serious social subjects.

Why It Matters

Leisure and Labor is Mayer's social genre painting with moral seriousness: the juxtaposition of leisure and labor in mid-19th century American society that addresses class relationships with the moral seriousness of the pre-Civil War period. The 1858 painting shows American genre painting addressing social critique, not just rural humor.