Study of an Old Man

Provenance

(Dowdeswell and Dowdeswell, London); sold 1905 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania;[1] inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA. [1] Widener collection records, in NGA curatorial files.

Study of an Old Man

Anonymous Artist

probably late 17th century

Accession Number

1942.9.63

Medium

oil on panel

Dimensions

overall: 28 x 21.5 cm (11 x 8 7/16 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Widener Collection

Tags

Painting Baroque (1600–1750) Oil Painting Panel Painting

Background & Context

Background Story

Study of an Old Man from the late 17th century is a work by a Follower of Rembrandt, demonstrating the enormous influence that Rembrandt's style had on Dutch painting in the decades after his death in 1669. The study depicts an old man in the dramatic chiaroscuro manner that Rembrandt developed, using strong contrasts of light and dark to create psychological depth. Works by Followers of Rembrandt are important because they demonstrate how Rembrandt's revolutionary approach to portraiture—his use of chiaroscuro, his psychological penetration, his loose brushwork—was disseminated through the Dutch painting tradition by artists who had studied his work and adopted his methods.

Cultural Impact

Study of an Old Man is important in the history of Dutch painting because it demonstrates the influence that Rembrandt's style had on Dutch painting in the decades after his death. Rembrandt's revolutionary approach—combining dramatic chiaroscuro with psychological penetration and loose brushwork—was adopted by followers who disseminated his methods throughout the Dutch painting tradition, and this study shows how Rembrandt's style continued to influence Dutch painting long after his death.

Why It Matters

Study of an Old Man is a Follower of Rembrandt applying the master's dramatic chiaroscuro and psychological penetration to the subject of an old man. The late 17th century work shows how Rembrandt's revolutionary approach to portraiture was disseminated through the Dutch painting tradition by followers who adopted his methods.