Arab Encampment

Provenance

Edward C. [d. 1915] and Mary Griffin [1855-1937] Walker, Willistead Manor, Walkerville, Ontario, and Washington; bequest 4 May 1937 to the Corcoran Gallery of Art, Washington; acquired 2015 by the National Gallery of Art.

Arab Encampment

Fromentin, Eugène

1873

Accession Number

2015.19.62

Medium

oil on wood

Dimensions

overall: 31.75 × 41.28 cm (12 1/2 × 16 1/4 in.) | framed: 60.64 × 70.49 × 11.75 cm (23 7/8 × 27 3/4 × 4 5/8 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Corcoran Collection (Edward C. and Mary Walker Collection)

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting French

Background & Context

Background Story

Eugène Fromentin (1820-1876) was a French painter and writer known for his Orientalist subjects—scenes of North African life that he observed during his travels in Algeria. Arab Encampment from 1873 depicts a nomadic Arab camp with the atmospheric precision and ethnographic detail that distinguish Fromentin's best Orientalist work. Unlike many Orientalist painters who never visited North Africa and painted from imagination, Fromentin had extensive first-hand experience of Algerian life, and his paintings combine the atmospheric quality of academic painting with the authority of direct observation.

Cultural Impact

Fromentin's Orientalist paintings are important in the history of Orientalism because they combine the atmospheric quality of academic painting with the authority of direct observation. Arab Encampment demonstrates that Fromentin's North African subjects were based on first-hand experience rather than the imaginative fantasies that characterized much Orientalist painting. Fromentin was also a significant literary figure—the author of the novel Dominique and the art-historical study The Masters of Past Time—and his double career as painter and writer gives his visual work a literary quality that distinguishes it from purely pictorial Orientalism.

Why It Matters

Arab Encampment is Fromentin's Orientalism based on direct observation: a nomadic Arab camp rendered with the atmospheric precision of academic painting and the authority of first-hand experience in Algeria. The 1873 painting combines the pictorial quality of Orientalist painting with the literary sensibility that Fromentin's double career as painter and writer gave his work.