The Great Red Dragon and the Beast from the Sea

Provenance

Marsden J. Perry (Lugt 1880), LJR (Lugt Supp.1760b)

The Great Red Dragon and the Beast from the Sea

Blake, William

c. 1805

Accession Number

1943.3.8997

Medium

pen and ink with watercolor over graphite

Dimensions

Overall: 40.1 x 35.6 cm (15 13/16 x 14 in.) | support: 54.8 x 44 cm (21 9/16 x 17 5/16 in.) | mat: 71.1 x 55.9 cm (28 x 22 in.)

Classification

Drawing

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Rosenwald Collection

Tags

Drawing Neoclassical & Romantic (1751–1850) Watercolor Ink Graphite & Pencil British

Background & Context

Background Story

William Blake (1757-1827) was an English poet, painter, and printmaker whose visionary works combine apocalyptic imagery with radical theology in a way that remains unique in the history of Western art. The Great Red Dragon and the Beast from the Sea from c. 1805 is an illustration for the Book of Revelation, depicting two of the most terrifying figures in biblical eschatology: the Great Red Dragon (Satan) and the Beast rising from the sea (the Antichrist). Blake's treatment is characteristically visionary: the figures are rendered with a muscular energy and a terrifying grandeur that make the biblical prophecy feel immediate and real rather than remote and allegorical.

Cultural Impact

Blake's illustrations for the Book of Revelation are among the most powerful visual interpretations of biblical eschatology in Western art because they treat the visionary text as a direct experience rather than a distant prophecy. The Great Red Dragon and the Beast from the Sea are not symbolic figures standing for abstract concepts but actual presences—beings of terrifying physical reality that Blake renders with a muscular energy that makes the viewer feel the apocalyptic vision rather than merely understanding it intellectually.

Why It Matters

The Great Red Dragon and the Beast from the Sea is Blake's apocalyptic vision at its most terrifying: two of Revelation's most fearsome beings rendered with muscular energy and physical grandeur that make the biblical prophecy feel immediate and real. The pen and watercolor medium gives the vision a luminous intensity that oil painting could not match—Blake's apocalypse is both drawn and painted, both linear and atmospheric.