The Game of the Cooking Pot

Provenance

Prince Alberto Giovanelli [1896-1937], Venice, until c. 1930.[1] (Count Alessandro Contini Bonacossi, Rome); purchased 1931 by the Samuel H. Kress Foundation, New York;[2] gift 1939 to NGA. [1] According to typed note from the Kress Records, NGA curatorial files. [2] According to typed note from the Kress Records, NGA curatorial files, and Fern Rusk Shapley, _Catalogue of Italian Paintings_, 2 vols., Washington, D.C., 1979: 1:268; see also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/2182.

The Game of the Cooking Pot

Longhi, Pietro

c. 1744

Accession Number

1939.1.64

Medium

oil on canvas

Dimensions

overall: 49.9 x 61.7 cm (19 5/8 x 24 5/16 in.) | framed: 65.4 x 55.9 x 3.8 cm (25 3/4 x 22 x 1 1/2 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Samuel H. Kress Collection

Tags

Painting Baroque (1600–1750) Oil Painting Canvas Italian

Background & Context

Background Story

Pietro Longhi (1701-1785) was a Venetian painter known for his small-scale genre scenes of Venetian aristocratic and domestic life that record the social customs of 18th-century Venice with the precision of an ethnographer. The Game of the Cooking Pot from c. 1744 depicts a group of Venetian aristocrats playing a party game in the intimate, observational manner that distinguishes Longhi's best work. The cooking pot game was a popular Venetian party game, and Longhi's depiction records the social custom with the same precision that he brought to all his genre scenes of Venetian life.

Cultural Impact

The Game of the Cooking Pot is important in the history of Venetian genre painting because it records a Venetian social custom with the ethnographic precision that distinguishes Longhi's best work. Longhi's genre scenes of Venetian aristocratic life are the visual equivalent of Goldoni's comedies—they record the social customs of 18th-century Venice with the same precision that the great Venetian dramatist brought to his plays, making Longhi's paintings invaluable documents of Venetian social life.

Why It Matters

The Game of the Cooking Pot is Longhi's Venetian social life recorded: a group of aristocrats playing a party game in the intimate, observational manner that makes his genre scenes the visual equivalent of Goldoni's comedies. The c. 1744 painting records a Venetian social custom with the precision of an ethnographer.