Masters of Their Craft

Artists

Discover the visionaries who shaped the course of art history.

31,194 artists in the collection

Bartoli, Pietro Santo

Bartoli, Pietro Santo

Italian

Italian, c. 1635 - 1700

Pietro Santi Bartoli (also Sante or Santo; 1635 – 7 November 1700) was an Italian engraver, draughtsman, painter and antiquary.

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Bartolomé Bermejo

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Bartolomé Esteban Murillo

Spanish

1617 - 1682

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Bartolomé Estéban Murillo

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Bartolomeo Ammanati

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Bartolomeo Biscaino

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Bartolomeo Biscaino

Italian

1632 - 1657

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Bartolomeo Cesi

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Bartolomeo Coriolano

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Bartolomeo da Gallarate

Italian

Bartolomeo di David

Bartolomeo di David

Italian

Sienese, 1482 - 1545/46

Andrea del Verrocchio ( və-ROH-kee-oh, US also -⁠RAW-, Italian: [anˈdrɛːa del verˈrɔkkjo]; born Andrea di Michele di Francesco de' Cioni; c. 1435 – 1488) was an Italian sculptor, painter and goldsmith who was a master of a workshop in Florence. He was the teacher of Leonardo da Vinci, with whom he painted the Baptism of Christ. He became known as Verrocchio after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but his pupils also included Pietro Perugino and Lorenzo di Credi. His was a sculptor and sculpted the Equestrian statue of Bartolomeo Colleoni in Venice.

Bartolomeo di Giovanni

Bartolomeo di Giovanni

Bartolomeo di Giovanni di Domenico (1458? – 1501) was an Italian Renaissance painter active in Florence. His works were first identified by the art historian Bernard Berenson, who did not know the painter's real name so called him the "Alunno di Domenico" (i.e., "student of Domenico Ghirlandaio"). This name was based on Berenson's observation that the painter executed the predella of Ghirlandaio's Adoration of the Magi (1488) in the Ospedale degli Innocenti, the foundling hospital in Florence. Archival research later yielded the painter's real name as Bartolomeo di Giovanni. Bartolomeo also collaborated with Sandro Botticelli. Bartolomeo di Giovanni painted many narrative panels, including predella, cassone and spalliera panels. He also painted altarpieces, such as the Madonna and Child with Four Saints (1498) for San Giovanni di Boldrone, Florence, now at the Mount Holyoke College Art Museum. The painter should not be confused with the Italian sculptor and architect Bartolomeo di Giovanni d'Astore Sinibaldi (1469–1535), or with the Italian painter and architect, Bartolommeo di Giovanni Corradini, known as Fra Carnevale (1416–1484). He is also not the same as the two other late fifteenth...