Masters of Their Craft
Artists
Discover the visionaries who shaped the course of art history.
31,194 artists in the collection
Basawan
Indian
Bascom, Ruth Henshaw
American
American, 1772 - 1848
Baselitz, Georg
German
German, born 1938
Georg Baselitz (born 23 January 1938) is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language. He was born as Hans-Georg Kern in Deutschbaselitz, Upper Lusatia, Germany. He grew up amongst the suffering and demolition of World War II, and the concept of destruction plays a significant role in his life and work. These biographical circumstances are recurring aspects of his entire oeuvre. In this context, the artist stated in an interview: "I was born into a destroyed order, a destroyed landscape, a destroyed people, a destroyed society. And I didn't want to reestablish an order: I had seen enough of so-called order. I was forced to question everything, to be 'naive', to start again." By disrupting any given orders and breaking the common conventions of perception, Baselitz...
Bashaw, Edward
American
American, 1901 - 1970
Bashian, Helen D.
American
American, 1903 - 1991
Basil Alkazzi
Basil Alkazzi (Arabic: باسل القاضي; April 23, 1938 – June 2025) was a Kuwait-born British visual artist, and philanthropist of Saudi Arabian–Kuwaiti heritage. As a painter he is known for metaphysical and spiritual abstract paintings. He was a supporter of emerging painters through numerous awards and scholarships. Alkazzi has lived in London and New York City.
Bas Jan Ader
Baskett, Charles Henry
British
British, 1872 - 1953
Baskin, Leonard
American
American, 1922 - 2000
Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, draughtsman, and graphic artist, as well as founder of the Gehenna Press (1942–2000). One of America's first fine arts presses, it went on to become "one of the most important and comprehensive art presses of the world", often featuring the work of poets, such as Sylvia Plath, Ted Hughes, Anthony Hecht, and James Baldwin side by side with Baskin's bold, stark, energetic and often dramatic black-and-white prints. Called a "Sculptor of Stark Memorials" by the New York Times, Baskin is also known for his wood, limestone, bronze, and large-scale woodblock prints, which ranged from naturalistic to fanciful, and were frequently grotesque, featuring bloated figures or humans merging with animals. "His monumental bronze sculpture, The Funeral Cortege, graces the Franklin Delano Roosevelt Memorial in Washington, D.C."
Basoli, Antonio
Italian
Italian, 1774 - 1848
Antonio Basoli (1774–1848) was an Italian painter, interior designer, scenic designer, and engraver, active mostly in Bologna.
Bassano, Gerolamo
Italian
Italian, 1566 - 1621
Bassano II, Francesco
Italian
Italian, 1549 - 1592
Francesco Bassano the Younger (26 January 1549 – 4 July 1592), also called Francesco Giambattista da Ponte or Francesco da Ponte the Younger, was an Italian painter of the Renaissance period. He was born at Bassano del Grappa near Venice, the eldest son of Jacopo Bassano and grandson of Francesco da Ponte the Elder. He studied with his father and worked in the Bassano family workshop along with his three brothers, including Giambattista, Girolamo and Leandro Bassano. Francesco moved to Venice, where he ran the branch of the family business. He was also commissioned to paint a series of historical pictures in the Doge's Palace. He was prone to hypochondria, which exacerbated his other ailments, including possible depression. Soon after his father's death in 1592, Francesco committed suicide by throwing himself out of a window. His brother Leandro Bassano continued the family legacy of painting.