Artists

Bergmüller, Johann Georg

Bergognone

Ambrogio Bergognone (variously known as Ambrogio da Fossano, Ambrogio di Stefano da Fossano, Ambrogio Stefani da Fossano or as il Bergognone or Ambrogio Egogni, c. 1470s – 1523/1524) was an Italian painter of the Renaissance period active in and near Milan.

Berjon, Antoine

Berkman-Hunter, Bernece

Berkowitz, Leon

Berlin and Jones

Berlinghiero

Berlinghiero, also known as Berlinghiero Berlinghieri or Berlinghiero of Lucca (fl. 1228 – between 1236 and 1242), was an Italian painter in the Italo-Byzantine style of the early thirteenth century. He was the father of the painters Barone Berlinghieri, Bonaventura Berlinghieri, and Marco Berlinghieri. His actual name is unknown, as he is known from the inscription "Berlingerius me pinxit" on the crucifix which is the basis of attributing other works to the name. The form "Berlinghiero Berlinghieri", once common in art history, is certainly not his name according to Edward B. Garrison and most recent sources, however, his commonly accepted name is still Berlinghiero. He is also mentioned in a parchment dated March 22, 1228, among the names of the residents of Lucca who swore to keep the peace with Pisa after a five-year war. The original document has been lost since the mid-19th century and only a somewhat garbled 17th-century transcription exists today, giving rise to the mistaken interpretation of attributing him an incorrect name and an incorrect Lombardic origin. Since his two adult sons were also mentioned in that document, it can be argued that Berlinghiero was then between 35...

Berlin Painter

Berman, Eugene

Berman, Eugène

Berman, Sadie

Berman, Sarah

Sarah Berman (1895–1957) was a Ukrainian American self-taught Naïve artist and primitive Social Realist whose career began in New York City during the late 1910’s and remained active until her death in 1957. Sarah's works are notable for her primitive human fantasy scenes along with her depictions of social realism and illustrative political commentary. Berman's greatest works are those that showcase the different, naïve social fantasy she was capable of articulating. Although her works are in many museums, Sarah Berman chose to never sell a piece of art. “It is not everyday that an art exhibition starts all the strings humming inside of you. But Sarah Berman’s show… does just that. Fluent, quick, expressive lines transform common place domesticity into something rare and glorious… she paints these people with a reverence and a love that is almost holy…it is a wonderful feeling. She never had an art lesson. She found her sanctuary in her Union Square studio, far from fellow artists. Her art grew into a religion… SO deep set, she forgets she rarely sells a picture. There is bliss within and without" as Elizabeth Sacartoff described in 1941 for The New York Times.