Artists

Bond, Wilma Irene

Bonelli, Aurelio

Bone, Muirhead

Sir Muirhead Bone (23 March 1876 – 21 October 1953) was a Scottish etcher and watercolourist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. A figure in the last generation of the Etching Revival, Bone's early large and heavily worked architectural subjects fetched extremely high prices before the Wall Street crash of 1929 deflated the collectors' market. He was well known, if not notorious, for publishing large numbers of different states of etchings, encouraging collectors to buy several impressions. Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists' Advisory Committee in the Second World War. He promoted the work of many young artists and served as a Trustee of the Tate Gallery, the National Gallery, and the Imperial War Museum.

Bonfils, Félix

Bonham, Horace

Bonheur, Auguste-François

Bonheur, Rosa

Rosa Bonheur (born Marie-Rosalie Bonheur; 16 March 1822 – 25 May 1899) was a French artist known best as a painter of animals (animalière). She also made sculptures in a realist style. Her paintings include Ploughing in the Nivernais, first exhibited at the Salon of 1849, and now in the Musée d'Orsay in Paris, and The Horse Fair (in French: Le marché aux chevaux), which was exhibited at the Salon of 1853 (finished in 1855) and is now in the Metropolitan Museum of Art in New York City. Bonheur was widely considered to be the most famous female painter of the nineteenth century. It has been claimed that Bonheur was openly lesbian, as she lived with her partner Nathalie Micas for over 40 years until Micas's death. After that she lived with American painter Anna Elizabeth Klumpke. However, others assert that nothing supports this claim.

Bonifacio Bembo, workshop of

Bonifazi, Adriano

Bonington, Richard Parkes

Bonington, Richard Parkes

Richard Parkes Bonington (25 October 1802 – 23 September 1828) was an English Romantic landscape painter. He moved to France at the age of 14 and can also be considered as a French artist, and an intermediary bringing aspects of English style to France. Becoming, after his early death, one of the most influential British artists of his time, the facility of his style was inspired by the old masters, yet was entirely modern in its application. His landscapes were mostly of coastal scenes, with a low horizon and large sky, showing a brilliant handling of light and atmosphere. He also painted small historical cabinet paintings in a freely-handled version of the troubadour style.

Bonino da Campione