Artists

Francesco Xanto Avelli

Francesco Xanto Avelli

Francesco Zuccarelli

Giacomo Francesco Zuccarelli (commonly known as Francesco Zuccarelli, Italian pronunciation: [franˈtʃesko ddzukkaˈrɛlli; ttsuk-]; 15 August 1702 – 30 December 1788) was an Italian artist of the late Baroque or Rococo period. He is considered to be the most important landscape painter to have emerged from his adopted city of Venice during the mid-eighteenth century, and his Arcadian views became popular throughout Europe and especially in England where he resided for two extended periods. His patronage extended to the nobility, and he often collaborated with other artists such as Antonio Visentini and Bernardo Bellotto. In 1768, Zuccarelli became a founding member of the Royal Academy of Arts, and upon his final return to Italy, he was elected president of the Venetian Academy. In addition to his rural landscapes which frequently incorporated religious and classical themes, Zuccarelli created devotional pieces and on occasion did portraiture. Besides paintings, his varied output included etchings, drawings, and designs for tapestries as well as a set of Old Testament playing cards. Despite the fame he experienced in his lifetime, Zuccarelli's reputation declined in the early 19th century...

Francesco Zuccarelli

Giacomo Francesco Zuccarelli (commonly known as Francesco Zuccarelli, Italian pronunciation: [franˈtʃesko ddzukkaˈrɛlli; ttsuk-]; 15 August 1702 – 30 December 1788) was an Italian artist of the late Baroque or Rococo period. He is considered to be the most important landscape painter to have emerged from his adopted city of Venice during the mid-eighteenth century, and his Arcadian views became popular throughout Europe and especially in England where he resided for two extended periods. His patronage extended to the nobility, and he often collaborated with other artists such as Antonio Visentini and Bernardo Bellotto. In 1768, Zuccarelli became a founding member of the Royal Academy of Arts, and upon his final return to Italy, he was elected president of the Venetian Academy. In addition to his rural landscapes which frequently incorporated religious and classical themes, Zuccarelli created devotional pieces and on occasion did portraiture. Besides paintings, his varied output included etchings, drawings, and designs for tapestries as well as a set of Old Testament playing cards. Despite the fame he experienced in his lifetime, Zuccarelli's reputation declined in the early 19th century...

Francescuccio Ghissi

Francescuccio Ghissi, also called Francesco di Cecco Ghissi, (fl. 1359 – 1395) was an Italian painter. His exact date of birth and death are not known. Ghissi was an exponent of the Gothic style, active especially in the Marche region of central-eastern Italy. He is known to have worked with Allegretto Nuzi. He primarily painted religious works for church commissions, but little is known about his activities and works except for the Madonna of Humility, part of a triptych he painted, which now resides as part of the Polesden Lacey National Trust collection. He also has works on display in the Pinacoteca Civica of Fabriano, and painted for the Cathedral of Fabriano. Other paintings are present in Ascoli Piceno (Church of Sant'Agostino), Montegiorgio (Church of Sant'Andrea), and the Pinacoteca of Fermo. Ghissi also painted the St. John altarpiece, made up of nine different paintings. The centre one depicts the Crucifixion, while the eight surrounding it depict stories from the life of St. John the Evangelist. These paintings were sawed apart and separated during the 19th or early 20th century to be sold, and have recently been reunited.

Frances Hammell Gearhart

Frances Myers

Frances S. C. Badger

Frances Stark

Frances Torivio

Franciabigio

Franciabigio (1482 – 24 January 1525) was an Italian painter of the Florentine Renaissance. His true name may have been Francesco di Cristofano; he is also referred to as either Marcantonio Franciabigio or Francia Bigio.

Francia, Francesco

Francesco Francia, whose real name was Francesco Raibolini (1447 – 5 January 1517) was an Italian painter, goldsmith, and medallist from Bologna, who was also director of the city mint. He may have trained with Marco Zoppo and was first mentioned as a painter in 1486. His earliest known work is the Felicini Madonna, which is signed and dated 1494. He worked in partnership with Lorenzo Costa, and was influenced by Ercole de' Roberti's and Costa's style. After 1505 he was influenced more by Perugino and Raphael. He had a large workshop and trained Marcantonio Raimondi, Ludovico Marmitta, and several other artists; he produced niellos, in which Raimondi first learnt to engrave, soon excelling his master, according to Vasari. Raphael's Santa Cecilia is supposed to have produced such a feeling of inferiority in Francia that it caused him to die of depression. However, as his friendship with Raphael is now well-known, this story has been discredited. He died in Bologna. His sons Giacomo Francia and Giulio Francia were also artists.