Provenance
Stolen c. 1896 from Whistler's Paris studio; (A. Reid, Glasgow, Scotland); purchased April 1900 by J.J. Cowan, Edinburgh, Scotland; returned to Whistler 30 June 1901; probably returned c. April 1904 by Whistler's executrix R. Birnie Philip to J.J. Cowan; (A. Reid, Glasgow, Scotland); purchased December 1906 by (C. Vose & Sons, Boston); purchased 1908 by Hugo Reisinger [1856-1914], New York; his wife, Edmée Busch Reisinger [later Mrs. Charles E. Greenough, d. 1955], New York; her son, Curt H. Reisinger [d. 1964], New York; gift 1948 to NGA.
Accession Number
1948.16.2
Medium
oil on canvas
Dimensions
overall: 51.7 x 38.1 cm (20 3/8 x 15 in.) | framed: 86.4 x 73 x 8.9 cm (34 x 28 3/4 x 3 1/2 in.)
Classification
Painting
Credit Line
Gift of Curt H. Reisinger
Tags
Painting Impressionist & Modern (1851–1900) Oil Painting Canvas American
Background & Context
Background Story
James McNeill Whistler (1834-1903) was an American painter who became one of the most controversial and influential figures in the history of art, known for his advocacy of 'art for art's sake' and his Nocturnes—mood paintings of London at night that reduced cityscapes to atmospheric abstractions. Alice Butt from c. 1895 is a late portrait, demonstrating that Whistler continued to paint portraits throughout his career even as his reputation was built on the Nocturnes and the aesthetic theory that surrounded them. The portrait shows Whistler's late style: simplified form, reduced color, and the compositional refinement that comes from decades of reducing visual experience to its essential elements.
Cultural Impact
Whistler's late portraits are important in the history of portrait painting because they demonstrate that portraiture could be reduced to its essentials without losing the likeness or the character of the sitter. Alice Butt shows Whistler painting a portrait with the same reduced means that he brought to the Nocturnes: simplified form, limited color, and the compositional refinement that strips away everything except the essentials of the sitter's appearance and character.
Why It Matters
Alice Butt is late Whistler's portrait essentials: simplified form, reduced color, and compositional refinement that strips the portrait to its essentials while preserving both the likeness and the character of the sitter. The c. 1895 date places this in the period when Whistler was applying the reduced means of the Nocturnes to portraiture with increasing subtlety.