Arthur Holdsworth Conversing with Thomas Taylor and Captain Stancombe by the River Dart

Provenance

Painted for Arthur Holdsworth [1733-1777], Mount Gilpin and Widdicombe House, Kingsbridge, Devon; by descent to Captain Frederick Holdsworth; (sale, Christie, Manson & Woods, London, 22 April 1921, no. 2, bought in); by descent to his sister, Mrs. Cuthbert Lucas; (sale, Christie, Manson & Woods, London, 6 November 1959, no. 71, repro.); (Thos. Agnew & Sons, London); sold 1960 to Paul Mellon, Upperville, Virginia; gift 1983 to NGA.

Arthur Holdsworth Conversing with Thomas Taylor and Captain Stancombe by the River Dart

Devis, Arthur

1757

Accession Number

1983.1.40

Medium

oil on canvas

Dimensions

overall: 127.6 x 102.1 cm (50 1/4 x 40 3/16 in.) | framed: 144.8 x 119.7 x 6.3 cm (57 x 47 1/8 x 2 1/2 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Paul Mellon Collection

Tags

Painting Neoclassical & Romantic (1751–1850) Oil Painting Canvas British

Background & Context

Background Story

Arthur Devis (1712-1785) was an English painter known for his conversation pieces—small-scale group portraits of figures conversing in landscape or interior settings—that combine the precision of miniature painting with the social observation of genre painting. Arthur Holdsworth Conversing with Thomas Taylor and Captain Stancombe by the River Dart from 1757 depicts three men conversing by the river Dart in Devon in the precise, small-scale manner that distinguishes Devis's conversation pieces from the more grandiose portraiture of his contemporaries. The 1757 date places this in Devis's most productive period, when he was producing the conversation pieces that are his most accomplished works.

Cultural Impact

Arthur Holdsworth Conversing is important in the history of English painting because it demonstrates the conversation piece genre that Devis developed as an alternative to grandiose portraiture. The precise, small-scale manner of Devis's conversation pieces—figures conversing in a precisely rendered landscape—shows that not all 18th-century English portraiture was grandiose; some of it was intimate, precise, and socially observant.

Why It Matters

Arthur Holdsworth Conversing by the River Dart is Devis's conversation piece at its most precise: three men conversing in a Devon landscape rendered in the small-scale, socially observant manner that distinguishes his conversation pieces from grandiose portraiture. The 1757 painting shows another side of 18th-century English painting—intimate, precise, and socially observant.