The Longshoremen's Noon

Provenance

William T. Evans [1843-1918], by 1886; (American Art Galleries, New York); sold 1900 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art.

The Longshoremen's Noon

Brown, John George

1879

Accession Number

2014.136.2

Medium

oil on canvas

Dimensions

overall: 84 × 127.3 cm (33 1/16 × 50 1/8 in.) | framed: 109.9 × 153 × 9.5 cm (43 1/4 × 60 1/4 × 3 3/4 in.)

Classification

Painting

Museum

National Gallery of Art

Washington, D.C., United States

Credit Line

Corcoran Collection (Museum Purchase, Gallery Fund)

Tags

Painting Impressionist & Modern (1851–1900) Oil Painting Canvas American

Background & Context

Background Story

John George Brown (1831-1913) was a British-born American painter known for the sentimental genre scenes of working-class New York children that made him one of the most popular painters of late 19th-century America. The Longshoremen's Noon from 1879 depicts longshoremen at their noon break in the cheerful, narrative manner that distinguishes Brown's best genre scenes from the more serious work of his contemporaries. Brown was the president of the National Academy of Design and the most commercially successful genre painter in America, and his cheerful scenes of working-class children and laborers represent one of the most popular traditions in American genre painting.

Cultural Impact

The Longshoremen's Noon is important in the history of American genre painting because it demonstrates the cheerful, narrative manner that Brown brought to working-class subjects as the most commercially successful genre painter in America. Brown's cheerful genre scenes—combining narrative detail with sentimental charm—represent one of the most popular traditions in American painting, and the 1879 painting shows this popular tradition at its most cheerful and accomplished.

Why It Matters

The Longshoremen's Noon is Brown's cheerful American genre: longshoremen at their noon break rendered in the narrative, sentimental manner of the most commercially successful genre painter in America. The 1879 painting shows the popular tradition of cheerful genre scenes that made Brown the president of the National Academy of Design.