Boy with Pitcher (La Régalade)

Description

X-radiographs have revealed that this painting is a fragment of Les Gitanos, a large portrait of an itinerant family that Édouard Manet exhibited in 1863 and 1867. Apparently dissatisfied with the composition, he cut the painting into sections, which he reconceived as individual works of art. Two of these sections, Bohémien and Still Life with Bag and Garlic, are in the collection of the Louvre Abu Dhabi; the final section, Bohémienne, is lost.

To make this portion a standalone work, Manet painted over the head of the woman, which was originally under the boy’s shoulder, and replaced the blue sky with a dark background. He then renamed the painting La Régalade, which means to pour liquid from a bottle down the throat without touching the lips.

Boy with Pitcher (La Régalade)

Édouard Manet

1862–72

Accession Number

29392

Medium

Oil on canvas

Dimensions

61.8 × 54.3 cm (24 5/16 × 21 3/8 in.); Framed: 92.1 × 85.1 cm (36 1/4 × 33 1/2 in.)

Classification

oil on canvas

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Bequest of Katharine Dexter McCormick

Background & Context

Background Story

Édouard Manet's "Boy with Pitcher (La Régalade)" (1862–72) is an oil on canvas depicting a young boy with a pitcher, the title "La Régalade" suggesting a toast or a playful drinking gesture. The painting spans a decade in its dating, suggesting that Manet may have worked on it over a long period or that its exact date is uncertain. The boy is shown in three-quarter view, holding a pitcher, his expression direct and engaging. Manet's handling is characteristically bold, with broad areas of color defining the figure against a darker background. The boy's face and hands are painted with particular sensitivity, the flesh tones warm and lifelike. The pitcher is rendered with the solidity that Manet learned from his study of Spanish painting, particularly Velázquez, whose work he admired. This painting belongs to the period when Manet was establishing himself as the leader of the avant-garde, producing works that combined the lessons of the Old Masters with a distinctly modern sensibility.

Cultural Impact

Manet's genre paintings of children and young people contributed to his reputation as the painter of modern life, capturing the casual, unposed quality of everyday existence in the new Paris.

Why It Matters

This painting of a boy with a pitcher captures the freshness and directness of Manet's vision, the bold handling and engaging expression transforming a simple genre subject into a work of enduring vitality.