Nude (recto); Reclining Nude (verso)

Provenance

Mary and Leigh Block, Chicago, by 1966 [Chicago 1966]; given to the Art Institute, 1988.

Nude (recto); Reclining Nude (verso)

Georges Braque

1929

Accession Number

110993

Medium

Pen and black ink, with stumped charcoal, with erasing (recto), and pen and black ink over charcoal and graphite, with stumping and erasing (verso), over graphite on white wove paper.

Dimensions

41.1 × 26.7 cm (16 3/16 × 10 9/16 in.)

Classification

pen and ink drawings

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Mary and Leigh Block

Background & Context

Background Story

Georges Braque's double-sided "Nude" (1929) is a pen and black ink drawing on white wove paper, with charcoal on the recto and pen over charcoal and graphite on the verso. Braque (1882–1963) was co-inventor of Cubism with Picasso, and his later work evolved toward a more personal, sensuous style that remained indebted to Cubist principles while incorporating new concerns with color, texture, and the human figure. This double-sided sheet of nude studies shows Braque's continuing engagement with the human form. The recto features a standing or seated nude, the figure rendered with the bold, simplified lines that characterize Braque's draftsmanship. The charcoal provides soft tonal areas, while the pen and ink create decisive contours. The verso shows a reclining nude in pen and ink over charcoal. The combination of media and the double-sided format makes this sheet particularly valuable for understanding Braque's working process. By 1929, Braque had moved beyond the analytical phase of Cubism into a more synthetic, decorative style that was entirely his own.

Cultural Impact

Braque's drawings of the human figure demonstrate the range of his draftsmanship and his lifelong commitment to the representation of the body, even as his style evolved from Cubist analysis to a more personal synthesis.

Why It Matters

This double-sided sheet of nude studies reveals Braque's mastery of line and form, the bold contours and soft charcoal creating a vivid sense of the body's volume and presence.