This painting belongs to a series of four works by René Magritte, all titled The White Race. In each he composed sculpturesque figures from isolated body parts and facial features, disrupting how bodies are usually seen. By deconstructing and reassembling human appendages, the artist defamiliarized something so ubiquitous as to be easily overlooked—the female nude, so often white in Western art—to challenge conventional understandings of bodily forms.

Typically, Magritte’s titles are not descriptive but rather philosophical, raising questions and bringing related ideas to mind poetically. This work’s title suggests a critique of European culture, or what we might now call the social construction of whiteness. In speaking of the painting, however, Magritte focused on the “opportunity. . . to ask questions of the public; I would ask visitors if they couldn’t tell me why I had given the figure two noses.”