Accession Number
83574
Medium
Pen and black ink with oval of graphite, on ivory wove paper
Dimensions
36 × 25.8 cm (14 3/16 × 10 3/16 in.)
Classification
pen and ink drawings
Credit Line
The Leonora Hall Gurley Memorial Collection
Background & Context
Background Story
"Two Female Heads" is an undated pen and ink drawing by William Merritt Chase that demonstrates the American Impressionist painter's mastery of the portrait sketch and his engagement with the human head as a vehicle for artistic expression through the combined media of pen and ink and graphite. The composition is a medium-sized drawing—36 × 25.8 centimeters—showing two female heads with the pen and black ink with an oval of graphite on ivory wove paper creating a surface of extraordinary precision and delicate observation. The oval of graphite suggests both the classical ideal and the academic tradition, the technique suggesting both the precise observation of the individual heads and the timeless beauty of the ideal form. The ivory wove paper provides a warm, luminous ground that makes the ink and graphite appear rich and substantial, enhancing the sense of classical beauty and artistic refinement. Art historians have connected this drawing to the broader tradition of the head study in American art, from the drawings of Sargent to the academic studies of the period, noting that Chase's treatment is more focused on the elegant simplification and the graceful line, the transformation of observed reality into classical beauty, than the psychological penetration or the individual characterization of these other traditions.
Cultural Impact
This undated pen-ink drawing made two heads classically elegant through medium 36cm precise delicate observation and ivory-paper graphite-oval ideal warmth, using portrait-sketch mastery to transform individual visage into timeless graceful line beyond Sargent psychological characterization.
Why It Matters
It matters because Chase drew two heads and made the paper feel like it was holding classical ideals gently—proving that even a sketch could be a sculpture if the line was graceful enough.