Provenance
Sold by Albert Roullier Gallery, Chicago, to the Art Institute of Chicago, 1923, with funds provided by Robert Allerton (1873–1964), Chicago.
Accession Number
9485
Medium
Watercolor over graphite pencil on cream laid paper
Dimensions
19.8 × 12.6 cm (7 13/16 × 5 in.)
Classification
watercolor
Credit Line
Gift of Robert Allerton
Background & Context
Background Story
"Sketches of Snails; Flowering Plant" is an 1864/68 watercolor by Édouard Manet that demonstrates the French modernist master's engaged observation of the natural world and his exploration of the still life and landscape subjects through the medium of watercolor. The composition is a small work—19.8 × 12.6 centimeters—showing snails and a flowering plant rendered with the watercolor over graphite pencil on cream laid paper, the technique creating a surface of extraordinary delicacy and natural freshness. The cream laid paper provides a warm, sympathetic ground that makes the watercolor colors appear rich and inviting, enhancing the sense of outdoor observation and spontaneous pleasure. The 1864/68 date places this work in the period of Manet's early maturity and his engagement with the natural subjects that would complement his more famous urban and social scenes. Art historians have connected this watercolor to the broader tradition of the nature study in French art, from the watercolors of Delacroix to the drawings of the Impressionists, noting that Manet's treatment is more focused on the direct observation and the elegant simplification, the transformation of natural detail into visual delight, than the scientific accuracy or the symbolic content of these other traditions.
Cultural Impact
This 1864/68 watercolor made snails and flowers naturally delightful through small 19cm watercolor-over-graphite spontaneous observation and cream-laid paper warm outdoor freshness, using early-mature nature-study exploration to transform natural detail into elegant visual delight beyond Delacroix scientific symbolic accuracy.
Why It Matters
It matters because Manet painted snails and made the paper feel like it was crawling slowly through a garden in the sun—proving that even the smallest creature could be beautiful if the watercolor was observant enough.