Study: Face of Woman with High Collar

Provenance

Estate of the artist, from 1901 [Lugt 1338]. Dr. Gabriel Tapié de Céleyran, by 1927 [Joyant 1927]. Hector Brame (1866-1936), Paris [Dortu 1971]. Sold by César de Hauke, Paris, to the Art Institute, 1951.

Study: Face of Woman with High Collar

Henri de Toulouse-Lautrec

c. 1894

Accession Number

74782

Medium

Graphite on ivory wove paper

Dimensions

25.2 × 15.9 cm (9 15/16 × 6 5/16 in.)

Classification

chalk

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

David Adler Memorial Fund

Background & Context

Background Story

Henri de Toulouse-Lautrec's "Study: Face of Woman with High Collar" (c. 1894) is a graphite drawing on ivory wove paper that focuses on the face of a woman wearing a high collar—perhaps a fashionable dress or a performer's costume. The high collar frames the face, drawing attention to the features. Lautrec's treatment is characteristically economical: a few lines define the eyes, the nose, the mouth, the shape of the face, while the collar is suggested with broader, simpler strokes. The graphite technique is refined and controlled, the lines varying in pressure to create a sense of volume and character. The ivory wove paper provides a smooth, warm ground. The woman's identity is not certain, but she may be one of the performers or fashionable women who populated Lautrec's world. This study, with its focus on the face framed by the high collar, is a concentrated exercise in portraiture, capturing the essence of a face with the minimum of means.

Cultural Impact

Lautrec's focused portrait studies demonstrate his ability to capture the essential character of a subject with remarkable economy, reducing the complexity of the human face to its most expressive lines.

Why It Matters

This graphite study of a woman with a high collar captures the elegance and character of its subject with extraordinary economy, the few lines of the face and collar creating a vivid portrait.