Self-Portrait

Provenance

The artist, New York, May 1889; given to George Peter Alexander Healy (1813–1894), Paris and Chicago, May 1889 [painting inscribed on bottom: "New York / May 1889 / To Geo. P. A. Healy. From his Friend Eastman Johnson"]; by descent to his wife, Louisa Healy (1818–1905; born Louisa Phipps, also Mrs. George P.A. Healy), Chicago, June 1894; given to the Art Institute of Chicago, 1905.

Self-Portrait

Eastman Johnson

1889

Accession Number

40647

Medium

Oil on canvas on panel

Dimensions

45.7 × 35.2 cm (18 × 13 7/8 in.)

Classification

Painting

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Gift of Mrs. George P.A. Healy

Background & Context

Background Story

Eastman Johnson's "Self-Portrait" (1889) is an oil on canvas mounted on panel depicting the artist in his later years. Johnson (1824–1906) was one of the most celebrated American painters of the 19th century, known for his genre scenes of everyday American life, his portraits of notable figures including Abraham Lincoln, and his sensitive depictions of Native American subjects. This self-portrait shows Johnson at age 65, still active and engaged with his art. The handling is confident and economical, the features rendered with the directness and honesty that characterized Johnson's approach to portraiture. The dark background focuses attention on the face, which emerges from the shadows with remarkable presence. Johnson's gaze is direct and steady, meeting the viewer with the calm authority of an artist who had achieved success and recognition through a long career. The canvas mounted on panel provides a stable support. This self-portrait is a valuable document of American art history, showing the face of an artist who helped define the course of 19th-century American painting.

Cultural Impact

Eastman Johnson was one of the most important American painters of the 19th century, a founding member of the Metropolitan Museum of Art and a key figure in the development of American genre painting.

Why It Matters

This self-portrait captures Johnson in his later years with characteristic honesty and directness, the confident handling and steady gaze conveying the authority of an artist who helped shape American art in the 19th century.