Provenance
Jean Jadot, Brussels [according to a letter from Frederick Schab to Harold Joachim dated May 20, 1968 in curatorial file]. Sold by William H. Schab Gallery, New York, to the Art Institute, 1968.
Accession Number
29022
Medium
Black crayon and charcoal, with stumping and scraping, on cream wove card
Dimensions
56.1 × 39 cm (22 1/8 × 15 3/8 in.)
Classification
chalk
Credit Line
Simeon B. Williams Fund
Background & Context
Background Story
Gustave Courbet's "Model Reading in the Studio" (c. 1849) is a drawing in black crayon and charcoal with stumping and scraping on cream wove card. This drawing shows a model reading in the artist's studio, captured in a moment of relaxed concentration. The subject of the artist's studio, with its models, props, and works in progress, was a recurring theme in 19th-century art, and Courbet's treatment is characteristically direct and unidealized. The model is shown absorbed in her book, her attention turned away from the viewer and from the artist. The black crayon and charcoal technique allows for a range of tones, from the deepest blacks to the lightest grays. The stumping creates soft transitions, while the scraping adds highlights and texture. The cream wove card provides a stable support. This drawing dates from the period when Courbet was establishing himself as the leader of the Realist movement, and it shows his commitment to representing the everyday reality of the artist's life without idealization or theatricality.
Cultural Impact
Courbet's studio drawings provide an intimate glimpse into the working environment of the Realist master, showing the everyday reality of the artist's life with characteristic directness.
Why It Matters
This drawing of a model reading in the studio captures a quiet moment in the artist's working day, Courbet's direct, unidealized approach transforming an everyday scene into a study of absorbed concentration.