Provenance
Morosini-Gatterburg (according to Morassi, 1975, p. 91, no. 64); Fauchier Magnan, Paris (according to Morassi and departmental card); Moratilla, Paris (according to Morassi, 1975, p. 91, no. 64. [Adolph Loewi, Los Angeles]
Accession Number
1953.135
Medium
pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink
Dimensions
Image: 50.9 x 75 cm (20 1/16 x 29 1/2 in.); Sheet: 53.6 x 77 cm (21 1/8 x 30 5/16 in.)
Classification
Drawing
Credit Line
Dudley P. Allen Fund
Tags
Drawing Neoclassical & Romantic (1751–1850) Ink Italian
Background & Context
Background Story
Antonio Guardi (1699-1760) was a Venetian painter and draftsman, the elder brother of Francesco Guardi, known for his history paintings and narrative subjects in the Venetian decorative tradition. Jacopo Marcello Directing the Assault of Gallipoli from 1750-60 depicts a historical military episode in the pen and wash medium that Venetian artists used for preparatory studies as well as finished works. The drawing demonstrates the Venetian draftsmanship tradition at its most accomplished: the pen and brown ink and wash medium allows the rapid, fluid line and atmospheric tone that distinguish Venetian drawing from the more precise draftsmanship of other Italian schools.
Cultural Impact
Antonio Guardi's drawings are important in the history of Venetian art because they demonstrate the draftsmanship tradition that underlies the more celebrated paintings of his brother Francesco and of Canaletto and Tiepolo. Jacopo Marcello Directing the Assault of Gallipoli shows the pen and wash medium that Venetian artists used for rapid narrative compositions, and the fluid line and atmospheric tone of the drawing demonstrate the Venetian preference for suggestiveness over precision.
Why It Matters
Jacopo Marcello is Antonio Guardi's Venetian draftsmanship at its most accomplished: a military episode rendered in pen and brown ink and wash with the rapid, fluid line and atmospheric tone that distinguish Venetian drawing. The 1750-60 drawing demonstrates the Venetian preference for suggestiveness over precision in narrative composition.