The Annunciation

Provenance

[J.G. Bergmuller, Augsberg] (on old mat in photo in departmental file); [Herbert N. Bier]

The Annunciation

Johann Jakob von Sandrart

last third 1600s

Accession Number

1967.133

Medium

black and red chalk with white gouache, framing lines in black chalk and black ink

Dimensions

Sheet: 19.5 x 17.7 cm (7 11/16 x 6 15/16 in.); Secondary Support: 19.5 x 17.7 cm (7 11/16 x 6 15/16 in.); Tertiary Support: 19.5 x 17.7 cm (7 11/16 x 6 15/16 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Dudley P. Allen Fund

Tags

Drawing Baroque (1600–1750) Ink Gouache German

Background & Context

Background Story

Johann Jakob von Sandrart (1655-1698) was a German painter known for the elegantly composed religious paintings that make him one of the accomplished painters of the German Baroque tradition. The Annunciation from the last third of the 1600s depicts the Annunciation in the elegantly composed, richly colored manner that distinguishes Sandrart's best work from the more general religious painting of his contemporaries. The Sandrart family was one of the most important artistic families in Germany, and Johann Jakob's elegantly composed religious paintings represent one of the accomplished traditions in German Baroque painting.

Cultural Impact

The Annunciation is important in the history of German painting because it demonstrates the elegantly composed, richly colored manner that Sandrart brought to religious subjects as one of the accomplished painters of the German Baroque tradition. Sandrart's elegantly composed religious paintings—combining the rich color of the German Baroque tradition with the elegant composition that is his most distinctive contribution—represent one of the accomplished traditions in German Baroque painting, and the last third 1600s painting shows this tradition at its most elegantly composed.

Why It Matters

The Annunciation is Sandrart's elegantly composed German Baroque: the Annunciation rendered in the richly colored manner of one of the accomplished painters of the German Baroque tradition. The last third 1600s painting shows the combination of rich color with elegant composition that makes Sandrart one of the accomplished German Baroque painters.