The Neuve River at the End of the Dardenne Valley

Provenance

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The Neuve River at the End of the Dardenne Valley

Edouard Jean Marie Hostein

1800s

Accession Number

1978.129

Medium

pen and brush and black ink, brush and brown and gray wash, and white and gray-blue gouache, over graphite

Dimensions

Sheet: 30.5 x 43.8 cm (12 x 17 1/4 in.)

Classification

Drawing

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Gift of Muriel S. Butkin

Tags

Drawing Neoclassical & Romantic (1751–1850) Ink Graphite & Pencil Gouache French

Background & Context

Background Story

Edouard Jean Marie Hostein (1805-1889) was a French painter known for the atmospheric, precisely observed landscape paintings of the French countryside that make him one of the accomplished landscape painters of the 19th century. The Neuve River at the End of the Dardenne Valley from the 1800s depicts the Neuve River at the end of the Dardenne Valley in the atmospheric, precisely observed manner that distinguishes Hostein's best work from the more general landscape painting of his contemporaries. The Dardenne Valley subject shows Hostein's talent for combining atmospheric effect with the precise observation of the French landscape that is his most distinctive contribution.

Cultural Impact

The Neuve River at the End of the Dardenne Valley is important in the history of French landscape painting because it demonstrates the atmospheric, precisely observed manner that Hostein brought to French landscape subjects as one of the accomplished landscape painters of the 19th century. Hostein's atmospheric, precisely observed landscapes of the French countryside—combining atmospheric effect with precise observation—represent one of the accomplished traditions in 19th-century French landscape painting, and the 1800s painting shows this tradition at its most atmospheric.

Why It Matters

The Neuve River at the End of the Dardenne Valley is Hostein's atmospheric French landscape: the Neuve River in the Dardenne Valley rendered in the precisely observed manner of one of the accomplished landscape painters of the 19th century. The 1800s painting shows the combination of atmospheric effect with precise observation of the French countryside.