Spring Landscape

Provenance

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Spring Landscape

Ike Taiga

1700s

Accession Number

1997.114

Medium

hanging scroll; ink and color on paper

Dimensions

Overall: 70.1 cm (27 5/8 in.); Painting only: 158.7 x 56.7 cm (62 1/2 x 22 5/16 in.)

Classification

Painting

Museum

The Cleveland Museum of Art

Cleveland, United States

Credit Line

Bequest of Mrs. A. Dean Perry

Tags

Painting Baroque (1600–1750) Ink Paper Japanese

Background & Context

Background Story

Ike Taiga (1723-1776) was a Japanese painter known as one of the pioneers of the Nanga (Southern School) painting tradition in Japan, whose combination of Chinese literati subjects with Japanese spontaneity makes him one of the most important painters of the Edo period. Spring Landscape from the 1700s depicts a spring landscape in the ink manner of the Chinese literati tradition that Taiga and other Nanga painters adopted and adapted for Japanese painting. The Nanga tradition adopted the Chinese literati ideal of painting for self-cultivation rather than for commission, and Taiga was one of the most accomplished painters in this tradition.

Cultural Impact

Spring Landscape is important in the history of Japanese painting because it demonstrates the Nanga tradition that Taiga helped to pioneer—the adoption and adaptation of Chinese literati painting for Japanese artists. The Nanga tradition represented a significant departure from the established painting schools of Japan, and Taiga's combination of Chinese subjects with Japanese spontaneity created a new type of painting that was simultaneously Chinese in tradition and Japanese in execution.

Why It Matters

Spring Landscape is Taiga's Nanga literati painting: a spring landscape rendered in the ink manner of the Chinese literati tradition that he helped to pioneer in Japan. The 1700s painting shows the Nanga tradition—painting for self-cultivation rather than commission—combining Chinese tradition with Japanese spontaneity.