Accession Number
2010.253
Medium
watercolor and gouache with traces of graphite on cream wove paper
Dimensions
Sheet: 27.9 x 36.3 cm (11 x 14 5/16 in.)
Classification
Drawing
Credit Line
Bequest of Muriel Butkin
Tags
Drawing Impressionist & Modern (1851–1900) Watercolor Graphite & Pencil Gouache Paper French
Background & Context
Background Story
Henri Regnault (1843-1871) was a French painter known for the precisely observed, atmospherically composed paintings of architectural and historical subjects that make him one of the most accomplished painters of the French Academic tradition. Choir Stalls in a Spanish Cathedral from c. 1868 depicts the choir stalls in a Spanish cathedral in the precisely observed, atmospherically composed manner that distinguishes Regnault's best work from the more general architectural painting of his contemporaries. Regnault was known for his precisely observed, atmospherically composed paintings that combine the Academic tradition with a precisely observed treatment of architectural subjects, and the c. 1868 painting shows the French Academic tradition at its most accomplished.
Cultural Impact
Choir Stalls in a Spanish Cathedral is important in the history of French Academic painting because it demonstrates the precisely observed, atmospherically composed manner that Regnault brought to architectural subjects as one of the most accomplished painters of the French Academic tradition. Regnault's precisely observed, atmospherically composed paintings of architectural subjects—combining the Academic tradition with a precisely observed treatment of the architecture—represent one of the most accomplished traditions in French Academic painting, and the c. 1868 painting shows this tradition at its most precisely observed.
Why It Matters
Choir Stalls in a Spanish Cathedral is Regnault's precisely observed Academic painting: the choir stalls rendered in the atmospherically composed manner of one of the most accomplished painters of the French Academic tradition. The c. 1868 painting shows architectural subjects at their most precisely observed.