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"Every artist dips his brush in his own soul, and paints his own nature into his pictures."

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Text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami

Text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami

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Bahram Visits the White Domed Pavilion on Friday (recto)

Bahram Visits the White Domed Pavilion on Friday (recto)

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Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami

Bahram Visits the White Domed Pavilion on Friday, illustrated with text in Khamsa of Nizami (verso), from a Haft Paykar (Seven Portraits) of Nizami

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Winter Scene with Plum Trees and Pheasants (Birds Right)

Winter Scene with Plum Trees and Pheasants (Birds Right)

Kano Naonobu

Winter Scene with Plum Trees and Pheasants (Birds Left)

Winter Scene with Plum Trees and Pheasants (Birds Left)

Kano Naonobu

Winter Scene with Plum Trees and Pheasants

Winter Scene with Plum Trees and Pheasants

Kano Naonobu

Peaches and Bats

Peaches and Bats

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Seated Guanyin

Seated Guanyin

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Leaf from a Book of Hours: The Raising of the Cross

Leaf from a Book of Hours: The Raising of the Cross

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Night Café

Night Café

Louis Marcoussis

Prestige stool (Kuo fo)

Prestige stool (Kuo fo)

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Lotus-blossom petal canopy

Lotus-blossom petal canopy

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Pan Lang (Han Rō)

Pan Lang (Han Rō)

Unkoku Tōgan

Su Shi (So Shoku)

Su Shi (So Shoku)

Unkoku Tōgan

Su Shi (So Shoku) and Pan Lang (Han Rō)

Su Shi (So Shoku) and Pan Lang (Han Rō)

Unkoku Tōgan

Footbridge with Cross before Trees at a River

Footbridge with Cross before Trees at a River

Caspar David Friedrich

Leaf from a Book of Hours: Ape Fishing (verso)

Leaf from a Book of Hours: Ape Fishing (verso)

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Leaf from a Book of Hours: Ape Hunting Wild Boars (recto)

Leaf from a Book of Hours: Ape Hunting Wild Boars (recto)

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Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) and Ape Fishing (verso)

Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) and Ape Fishing (verso)

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Archetypes and Studies: What can emerge in keeping with such a cavernous promise? (Part IV, plate 2)

Archetypes and Studies: What can emerge in keeping with such a cavernous promise? (Part IV, plate 2)

Joris Hoefnagel

Archetypes and Studies: Death is the line that marks the end of all (Part II, plate 5)

Archetypes and Studies: Death is the line that marks the end of all (Part II, plate 5)

Joris Hoefnagel

Muscarum Scarabeorum, vermiumque Variae Figure & Formae: A Moth, Three Butterflies and Two Beetles

Muscarum Scarabeorum, vermiumque Variae Figure & Formae: A Moth, Three Butterflies and Two Beetles

Wenceslaus Hollar

Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso)

Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso)

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Thebes, The Colossi of Memnon

Thebes, The Colossi of Memnon

Henri Béchard